Photos (see all 143 | slideshow)
Directed by |
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| Mike Newell | |||
Writing credits(WGA) |
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| Steve Kloves | (screenplay) | |
| J.K. Rowling | (novel) | |
Cast (in credits order) verified as complete
Plot summary for
Harry Potter and the Goblet of Fire (2005) More at IMDbPro »
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Harry’s fourth year at Hogwarts is about to start and he is enjoying the summer vacation with his friends. They get the tickets to The Quidditch World Cup Final but after the match is over, people dressed like Lord Voldemort’s ‘Death Eaters’ set a fire to all the visitors’ tents, coupled with the appearance of Voldemort’s symbol, the ‘Dark Mark’ in the sky, which causes a frenzy across the magical community. That same year, Hogwarts is hosting ‘The Triwizard Tournament’, a magical tournament between three well-known schools of magic : Hogwarts, Beauxbatons and Durmstrang. The contestants have to be above the age of 17, and are chosen by a magical object called Goblet of Fire. On the night of selection, however, the Goblet spews out four names instead of the usual three, with Harry unwittingly being selected as the Fourth Champion. Since the magic cannot be reversed, Harry is forced to go with it and brave three exceedingly difficult tasks. Written by Soumitra
Harry Potter returns to Hogwarts for his fourth year, where the Trizwizard tournament is becoming ready to begin. Students must be over 17 to enter, with the winner receiving eternal glory. Harry can’t enter it this year…or can he. When his name is read out from the Goblet of Fire, everyone assumes that Harry Potter has cheated. Harry insists that he never placed his name in there, with someone else behind it. But Who? Harry must now survive through dragons, sea creatures and a terrifying maze, all before coming face-to-face with a particular dark wizard. Written by Film_Fan
Harry’s fourth summer and the following year at Hogwarts are marked by the Quidditch World Cup and the Triwizard Tournament, in which student representatives from three different wizarding schools compete in a series of increasingly challenging contests. However, Voldemort’s Death Eaters are gaining strength and even creating the Dark Mark giving evidence that the Dark Lord is ready to rise again. In the unsuspecting lives of the young wizard and witches at Hogwarts the competitors are selected by the goblet of fire, which this year makes a very surprising announcement: Hogwarts will have two representatives in the tournament, including Harry Potter! Will Harry be able to rise to the challenge for the Tri Wizard Tournament while keeping up with school or will the challenges along with Voldemort’s rebirth be too much for the young hero? Written by imann
Harry Potter and the Goblet of Fire takes us deeper into the characters’ minds and the darkness of the Wizarding World. At the Quidditch World Cup, Voldemort’s followers gather and wreak havoc. Then, at Hogwarts, a legendary event takes place. The Triwizard Tournament! The Goblet of Fire judges who gets in and who doesn’t. On the fateful night, three champions are selected. But then the Goblet spits out one other. Harry’s. These two major events point to the return of Lord Voldemort. Dumbledore and the other teachers sense it, but it is inevitable. And Harry is no longer safe at Hogwarts. This fourth installment is the most dramatic, and also the scariest. Let me just say that all does not necessarily end well… Written by Josh Millhouse
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Plot summary for
Harry Potter and the Goblet of Fire (2005) More at IMDbPro »
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Harry’s fourth year at Hogwarts is about to start and he is enjoying the summer vacation with his friends. They get the tickets to The Quidditch World Cup Final but after the match is over, people dressed like Lord Voldemort’s ‘Death Eaters’ set a fire to all the visitors’ tents, coupled with the appearance of Voldemort’s symbol, the ‘Dark Mark’ in the sky, which causes a frenzy across the magical community. That same year, Hogwarts is hosting ‘The Triwizard Tournament’, a magical tournament between three well-known schools of magic : Hogwarts, Beauxbatons and Durmstrang. The contestants have to be above the age of 17, and are chosen by a magical object called Goblet of Fire.
On the night of selection, however, the Goblet spews out four names instead of the usual three, with Harry unwittingly being selected as the Fourth Champion. Since the magic cannot be reversed, Harry is forced to go with it and brave three exceedingly difficult tasks. Written by Soumitra
Harry Potter returns to Hogwarts for his fourth year, where the Trizwizard tournament is becoming ready to begin. Students must be over 17 to enter, with the winner receiving eternal glory. Harry can’t enter it this year…or can he. When his name is read out from the Goblet of Fire, everyone assumes that Harry Potter has cheated. Harry insists that he never placed his name in there, with someone else behind it. But Who? Harry must now survive through dragons, sea creatures and a terrifying maze, all before coming face-to-face with a particular dark wizard. Written by Film_Fan
Harry’s fourth summer and the following year at Hogwarts are marked by the Quidditch World Cup and the Triwizard Tournament, in which student representatives from three different wizarding schools compete in a series of increasingly challenging contests. However, Voldemort’s Death Eaters are gaining strength and even creating the Dark Mark giving evidence that the Dark Lord is ready to rise again. In the unsuspecting lives of the young wizard and witches at Hogwarts the competitors are selected by the goblet of fire, which this year makes a very surprising announcement: Hogwarts will have two representatives in the tournament, including Harry Potter! Will Harry be able to rise to the challenge for the Tri Wizard Tournament while keeping up with school or will the challenges along with Voldemort’s rebirth be too much for the young hero? Written by imann
Harry Potter and the Goblet of Fire takes us deeper into the characters’ minds and the darkness of the Wizarding World. At the Quidditch World Cup, Voldemort’s followers gather and wreak havoc. Then, at Hogwarts, a legendary event takes place. The Triwizard Tournament! The Goblet of Fire judges who gets in and who doesn’t. On the fateful night, three champions are selected. But then the Goblet spits out one other. Harry’s. These two major events point to the return of Lord Voldemort. Dumbledore and the other teachers sense it, but it is inevitable. And Harry is no longer safe at Hogwarts. This fourth installment is the most dramatic, and also the scariest. Let me just say that all does not necessarily end well… Written by Josh Millhouse
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Harry, Ron and Hermione enter their fourth year at Hogwarts. After having a strange dream of the Dark Lord and his Death Eaters, Harry Potter awakes at the Weasleys’ house where they shortly depart for the 422nd Quidditch World Cup. After the match, the camp is attacked by Death Eaters. The three later arrive at Hogwarts, where they find that the magical school will be hosting a legendary event called the Triwizard Tournament, in which one wizard each from two rival schools and Hogwarts will compete in three dangerous tasks. When the schools of Beauxbatons and Durmstrang, the rival schools, arrive, the rules are announced. Meanwhile, Alastor “Mad Eye” Moody arrives at Hogwarts at the request of Dumbledore to be the new Defence Against the Dark Arts teacher. Moody is a very eccentric man, noted for his paranoia and his wildly roaming “mad eye”. People over seventeen who are interested must insert their name into the Goblet of Fire, and those chosen will be the Champions of their respective school. Three champions names come out of the Goblet of Fire, Cedric Diggory from Hogwarts, Viktor Krum from Durmstrang and Fleur Delacour from Beauxbatons, and then the goblet unexpectedly produces a fourth, Harry Potter, although he is an under-age fourth year who never entered. Although Harry insists that he did not enter his name, his selection prompts a certain amount of jealousy and suspicion on part of his fellow students – including Ron, who believes that Harry is attempting to make himself the centre of attention again. This causes a brief period of resentment and estrangement between the two friends (including Ron swearing, telling Harry to piss off!), which is soon healed, however. Dumbledore tells Alastor to keep an eye on Harry, without him knowing it.
The Tournament begins with the first event, in which the four champions must each battle a dragon to retrieve a golden egg. Upon using the Accio spell to summon his broom, he flies out of the arena. The dragon breaks free of its chain and chases Harry through the Hogwarts grounds, where it runs into a stone bridge and falls dead. Harry gets the egg, which, when opened, will reveal a clue about the second task. When Harry opens it, though, only a horrible screeching is heard. They are soon informed of the Yule Ball, a Christmas ball held during the Triwizard Tournament. Ron and Harry find it hard to get dates to the ball, but finally get the Patil twins to join them, while Hermione goes with Viktor Krum, stunning everyone with her suddenly beautiful appearance at the ball. Ron is so jealously enraged at seeing Hermione with Krum (formerly his idol) that he attacks her and accuses her of “fraternizing with the enemy”. The ensuing argument leaves Hermione in tears (in the film version only).
Cedric Diggory, the other Hogwarts champion, informs Harry to submerge the egg in water and open it. There he will hear the clue. Harry does as told in the prefects’ enormous collective bath. The clue mentions that merpeople have taken something of Harry’s and that they must retrieve it from the Black Lake. Just as the three are trying to find a way to breathe underwater, Ron and Hermione are called to McGonagall’s office. Neville tells Harry about gillyweed, which, if eaten, can let you grow webbed hands and feet and gills. During the second task, Harry follows a mermaid to where they have chained Ron, Hermione, Cho Chang, and Fleur’s sister. Cho Chang is retrieved by Cedric, Victor, the Durmstrang champion, takes Hermione. Harry takes both Ron and Fleur’s sister, since she did not show up.
Finally, the third task arrives. A huge maze has been set up, in the center of which is the Triwizard Cup. The first to touch the cup wins the task. Dumbledore allows Harry and Cedric to be lead into the woods first, because they both received first and second place in the previous task. Both Cedric and Harry grab the cup at the same time. The cup, which is actually a portkey, sends the two to a graveyard, where Wormtail appears with a form of Voldemort. Upon command, Wormtail kills Cedric and binds Harry to a tombstone. Wormtail performs a spell over a burning cauldron and drops Voldemort into it. A fully revived Voldemort emerges from it and summons the Death Eaters with the Dark Mark. After explaining to them how he lost his powers to Harry, he duels Harry potter, in which their spells join in a chain. Harry breaks the chain and gets Cedric’s body. After grabbing the cup again, he is transported back to the school where everyone learns that the Dark Lord is back and has killed Cedric. Mad-Eye Moody takes Harry to his office in order to help Harry calm down. Moody suddenly starts to change his appearance when he learns that he has ran out of Polyjuice Potion. Moody tells Harry that it was him who told Hagrid to lead Harry and Cedric into the woods first. Moody also reveals that it was him who told Cedric to open the egg underwater and that he gave Neville the book that led him straight to discovering gillyweed in it. Harry realizes that Moody put his name in the Goblet of Fire and that he bewitched Krum. As Moody is about to kill Harry, Dumbledore, Snape, and McGonagall burst in the room and save Harry. Dumbledore makes Moody admit that he is an imposter and that the real Moody is locked in a chest. The imposter rapidly changes from appearing like Moody to his own appearance, Barty Crouch Jr, a Death Eater working for Voldemort. The tournament ends and the other schools depart.
Plot keywords for
Harry Potter and the Goblet of Fire (2005) More at IMDbPro »
Tournament
Goblet
Fire
Wizard
Magic
Teacher
Dragon
Maze
Person On Fire
Giant Snake
Scar
Orphan
No Opening Credits
Library
Cat
Transformation
Torture
Studio Logo Segues Into Film
Altered Version Of Studio Logo
Evil Wizard
Escher Stairway
Chase
Male Female Relationship
Rescue
Friendship
Ship
Nemesis
Curse
Witch
Cemetery
Teenage Boy
Woods
Eye
Resurrection
Communal Dining Hall
Child Hero
Corpse
Fireplace
Mermaid
Character’s Point Of View Camera Shot
Child In Peril
Crush
Loss Of Son
Arena
England
Unconsciousness
Blood
Fireworks
Headmaster
Nightmare
Dance Lesson
Camping
Drowning
Good Versus Evil
Murder
Snake
Giant
Egg
Severed Hand
Identical Twins
Fictitious Sport
Waltz
Magic Wand
Invisibility Cloak
Captive
Underwater
Witchcraft
Theft
Ghost
Revenge
Rivalry
Dead Boy
Spider
Impostor
Blockbuster
Flying
Castle
Duel
Boarding School
Owl
Self Mutilation
Graveyard
Coming Of Age
Wand
Dream Sequence
Flying Horse
Cult Figure
Surrealism
Teacher Student Relationship
Ferret
Bathroom
Supernatural Power
Trial
Letter
Potion
Glass Eye
Dining Hall
Gothic
Fall From Height
Black Magic
Reporter
Bathing
False Accusation
Bathtub
Forest
Lake
Sequel
Patricide
Invisibility
Love Triangle
Train
Explosion
Bird Messenger
Turns Into Animal
Vision
Living Portrait
Flashback
Young Love
Flying Broom
Cult Favorite
Carriage
Redhead
School Dance
Fourth Part
Broomstick
Evil Mark
Trophy
Trident
Goth
Death Of Friend
Based On Novel
Character Name In Title
Twist In The End
Memorable quotes for
Harry Potter and the Goblet of Fire (2005) More at IMDbPro »
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Professor Moody: The Goblet of Fire is an exceptionally powerful magical object. Only an exceptionally powerful Confundus charm could have hoodwinked it! Magic way beyond the talents of a fourth year.
Igor Karkaroff: You seem to have given this a fair bit of thought, Mad-Eye!
Professor Moody: It was once my job to think as Dark Wizards do, Karkaroff. Perhaps you remember.
Ron: [discussing inviting dates to the Yule Ball] This is mad! At this rate, we’ll be the only ones in our year without dates! Well, us and Neville.
Harry: [laughing] Yeah, but then again he could take himself.
Hermione: It might interest you to know that Neville’s already got someone.
Ron: What? Now I’m really depressed. Oi, Hermione… you’re a girl.
Hermione: [haughtily] Very well spotted.
Ron: Come with one of us! It’s one thing for a bloke to show up alone, but for a girl it’s just sad.
Hermione: [angrily] I won’t be going alone, because believe it or not, someone’s asked me! And I said yes!
[exits]
Ron: Bloody hell. She’s lying, right?
Harry: If you say so.
Cornelius Fudge: As Minister for Magic, it gives me great pleasure to welcome each and every one of you to the Finals of the 422nd Quidditch World Cup. Let the match begin!
Ron: Oh look, Mum’s sent me something.
[pulls some frilly robes from the package]
Ron: Mum sent me a dress!
Harry: Well, it does match your eyes. Is there a bonnet?
[pulls out more lace]
Harry: Ah ha!
Ron: Nose down, Harry. Ginny, this must be for you.
Ginny: I’m not wearing that, it’s ghastly.
Hermione: [laughing] They’re not for Ginny, they’re for you. Dress robes.
Ron: Dress robes? For what?
Harry: Why do they have to travel in packs? And how are you supposed to get one on their own to ask them?
[Stops in front of a group of girls, hesitates, then continues walking]
Ron: Blimey, Harry. You’ve slayed dragons. If you can’t get a date, who can?
Harry: I think I’d take the dragon now.
Cedric Diggory: I realize I never really thanked you properly for tipping me off about those dragons.
Harry: Forget about it. I’m sure you would’ve done the same for me.
Cedric Diggory: Exactly. You know the Prefects’ bathroom on the fifth floor? It’s not a bad place for a bath. Just take your egg and… mull things over in the hot water.
Hermione: Harry, you told me you’d figured that egg out weeks ago! The task is two days from now!
Harry: [sarcastically] Really? I had no idea. I suppose Viktor’s already figured it out.
Hermione: Wouldn’t know. We don’t actually talk about the tournament. Actually, we don’t really talk at all. Viktor’s more of a physical being.
[Harry laughs and Hermione blushes]
Hermione: I just mean he’s not particularly loquacious. Mostly, he watches me study. It’s a bit annoying, actually. You are trying to figure this egg out, aren’t you?
Harry: What’s that supposed to mean?
Hermione: It just means these tasks are designed to test you. In the most brutal way, they’re almost cruel. And… I’m scared for you. You got by the dragons mostly on nerve. I’m not sure it’s going to be enough this time.
[referring to Professor Moody]
Ron: Brilliant, isn’t he? Completely demented, of course. Terrifying to be in the same room with him. But he’s really been there, you know? He’s looked evil in the eye!
Hermione: [darkly] There’s a reason those curses are unforgivable.
Hermione: Look at this! I can’t believe it, she’s done it again!
[reading from the Daily Prophet]
Hermione: ‘Miss Granger, a plain but ambitious girl, seems to be developing a taste for famous wizards. Her latest pray, sources report, is none other than the Bulgarian bon-bon Viktor Krum. No word yet on how Harry Potter’s taking this latest emotional blow.’
Hermione: Victor’s gone to get drinks. Would you care to join us?
Ron: No, we would not care to join you and *Victor*.
Hermione: What’s got your wand in a knot?
Ron: He’s from Durmstrang! You’re fraternizing with the enemy!
Hermione: The enemy? Who was it wanting his autograph? Besides the whole point of the tournament is international magical cooperation. To make friends!
Ron: I think he’s got a bit more than friendship on his mind. He’s using you.
Hermione: How dare you! Besides, I can take care of myself!
Ron: Doubt it. He’s way too old.
Hermione: What? That’s what you think?
Ron: Yeah, that’s what I think.
Hermione: You know the solution, then, don’t you?
Ron: Go on.
Hermione: Next time there’s a ball pluck up the courage to ask me before someone else does! And not as a last resort!
Ron: Well… that… that’s completely off the point…
[after Harry almost dies in the First Task]
Ron: I reckon you’d have to be barking mad to put your own name in the Goblet of Fire.
Harry: [coldly] Caught on, have you? Took you long enough.
Ron: I wasn’t the only one who thought you’d done it. Everyone was saying it behind your back.
Harry: [sarcastically] Brilliant. That makes me feel loads better.
Ron: At least I warned you about the dragons.
Harry: Hagrid warned me about the dragons.
Ron: No, I did! Don’t you remember? I told Hermione to tell you that Seamus told me that Parvati told Dean that Hagrid was looking for you! Seamus never actually told me anything, so it was really me all along. I thought we’d be alright, you know, after you figured that out.
Harry: Who… who could possibly figure that out? It’s completely mental.
Ron: Yeah… it is, isn’t it. I suppose I was a bit distraught.
Harry: [smiles weakly]
Hermione: [in disbelief] Boys!
[about Krum]
Ron: Ruddy pumpkin head, isn’t he?
Professor Snape: Potter, what’s your hurry? Congratulations. Your performance in the Black Lake was inspiring. Gilllyweed, am I correct?
Harry: Yes sir.
Professor Snape: Ingenious. A rather rare herb, Gillyweed. Not something found in your everyday garden. Nor is this.
[holds up a bottle]
Professor Snape: Know what it is?
Harry: [sarcastically] Bubble juice, sir?
Professor Snape: Veritaserum. Three drops of this and You-Know-Who himself would spill his darkest secrets. The use of it on a student is, regrettably, forbidden. However, should you eve steal from my personal stores again, my hand might just slip over your morning pumpkin juice.
Harry: I haven’t stolen anything.
Professor Snape: Don’t lie to me! Gillyweed may be innocuous, but Boomslang skin? Lacewing flies? You and your little friends are brewing Polyjuice Potion, and believe me; I’m going to find out why!
[shuts the door in Harry's face]
Professor Moody: Alastor Moody. Ex-Auror, Ministry malcontent, and your new Defense Against the Dark Arts teacher. I am here because Dumbledore asked me. End of story, goodbye, the end! Any questions? When it comes to the Dark Arts I believe in a practical approach. But first, which of you can tell me how many Unforgivable Curses there are?
Hermione: Three, sir.
Professor Moody: And they are so named?
Hermione: Because they are unforgivable. The use of any one of them will…
Professor Moody: Earn you a one-way ticket to Azkaban. Correct. The Ministry says you are too young to see what these curses do. I say different! You need to know what you’re up against. You need to be prepared…
[as he turns to the blackboard again, Seamus ducks under his desk]
Professor Moody: You need to find another place to put your chewing gum besides the underside of your desk, Mr. Finnegan!
Seamus: [whispering] No way, the old codger can see out of the back of his head!
Professor Moody: [throws a piece of chalk at him] And hear across classrooms!
Dumbledore: Do you know who I am? Do you?
Professor Moody: Albus Dumbledore.
Dumbledore: Are you Alastor Moody?
Professor Moody: …no.
Professor Moody: What was it like? What was he like?
Harry: Who?
Professor Moody: The Dark Lord. What was it like to stand in his presence?
Harry: …I dunno… It was like I’d fallen into one of my dreams. Into one of my nightmares.
Professor Moody: Were there others? In the graveyard, were there others?
Harry: …I don’t think I said anything about a graveyard, Professor.
Professor Moody: [mocking Hagrid] ‘Marvelous creatures, Dragons, aren’t they’. Do you think that miserable oaf would’ve sent you into the woods if I hadn’t suggested it? Do you think Cedric Diggory would’ve told you to open the egg underwater if I hadn’t told him first myself? Do you think Neville Longbottom, the witless wonder, could’ve provided you with Gillyweed if I hadn’t given him the book that led him strait to it?
Harry: It was you from the beginning! You put my name into the Goblet of Fire! You bewitched Krum!
Professor Moody: You won because I made it so, Potter! You ended up in that graveyard because it was meant to be so! And now the deed is done! The blood that runs in your veins runs within the Dark Lord! Imagine how he will reward me when he learns that I have once and for all silenced the great Harry Potter!
Barty Crouch Junior: I’ll show you mine if you show me yours.
Hermione: Harry? Is that you?
Harry: Yeah.
Hermione: How are you feeling? Ok? The key is to concentrate. After that, you just have to…
Harry: Battle a dragon.
Hermione: [gasps and starts hugging Harry. Then a camera flash breaks them apart]
Rita Skeeter: Young love! How… stirring. If everything goes unfortunately today, you two may even make the front page!
Viktor Krum: You have no business here! This tent is for champions, and friends.
Rita Skeeter: No matter. We got what we wanted.
Voldemort: The Boy-Who-Lived. How lies have fed your legend, Harry! Do you want to know what really happened thirteen years ago? Shall I divulge how I truly lost my powers? It was love. You see, when dear sweet Lily Potter gave her life for her only son, it provided him with the ultimate protection, I could not touch him. It was old magic, something I should have foreseen. But no matter, no matter, things have changed. I CAN TOUCH YOU… NOW!
[He places the pad of his finger on Harry's scar, and Harry immediately screams out in agony]
Voldemort: Astounding what a few drops of your blood will do, eh, Harry?
Harry: [after being Portkeyed away from the maze during the Third Task Harry suddenly realizes where they are] Cedric, we have to get back to the cup. NOW.
Cedric Diggory: What are you talking about?
Harry: [Flames burst beneath a huge stone cauldron as the door to a nearby house opens, revealing someone carrying a blanket-wrapped bundle. Harry drops to his knees, clutching his scar in agony] AAAAAGH!
Cedric Diggory: Harry, what is it?
Harry: Get back to the cup!
Cedric Diggory: [Cedric stands up, wand at the ready to defend both himself and Harry] Who are you, what do you want?
Voldemort: Kill the spare!
Peter Pettigrew: AVADA KEDAVRA!
Harry: NO! CEDRIC!
[Harry can only watch as Cedric is blasted off his feet and hits the ground behind him, dead]
Ron: Do you think we’ll ever just have a quiet year at Hogwarts?
Hermione, Harry: No.
Ron: Yeah, didn’t think so. Oh well, what’s life without a few dragons?
Hermione: Everything’s going to change now, isn’t it?
Harry: Yes.
Hermione: Promise you’ll write this summer, both of you.
Ron: Oh, I won’t. You know I won’t.
Hermione: Harry will, won’t you?
Harry: Yeah, every week.
Hermione: Harry! Are you alright? You must be freezing! Personally, I think you behaved admirably.
Harry: I finished last, Hermione.
Hermione: [kisses him on the top of the head] Next to last. Fleur never got past ‘ze grindylows’!
Neville: Oh my god! I’ve killed Harry Potter!
Ginny: [helping a speechless and queasy looking Ron into the common room] It’s ok, Ron. It’s alright. It doesn’t matter.
Harry: What happened to you?
Ginny: He just asked Fleur Delacour out.
Hermione: What?
Harry: What did she say?
Hermione: No, of course.
[Ron shakes his head in pained embarrassment]
Hermione: She said yes?
Ron: Don’t be silly. There she was, just walking by… you know how I like it when they walk… I couldn’t help it… it just sort of slipped out!
Ginny: Actually, he sort of screamed at her. It was a bit frightening.
Harry: What did you do then?
Ron: What else? I ran for it!
Voldemort: Harry! I’d almost forgotten you were here, standing on the bones of my father. I’d introduce you, but rumor has it you’re almost as famous as me these days.
Neville: Amazing! Amazing!
Harry: Neville, you’re doing it again.
Professor McGonagall: This can’t go on Albus. First the dark mark, now this?
Dumbledore: What do you suggest Minerva?
Professor McGonagall: Put an end to it! Don’t let Potter compete!
Dumbledore: You heard Barty. The rules are clear.
Professor McGonagall: Well the devil with Barty and his rules! And since when did you accommodate the Ministry?
Professor Snape: Headmaster I too find it difficult to believe this mere coincidence, however, if we are to truly discover the meaning of these events, perhaps we should, for the time being, let them unfold.
Professor McGonagall: Do nothing? Offer him up as bait? Potter is a boy! Not a piece of meat!
Dumbledore: I agree with Severus. Alastor, keep an eye on Harry will you?
Professor Moody: I can do that.
Dumbledore: Don’t let him know though, he must be anxious enough as it is, knowing what lies ahead. Then again, we all are.
Ron: [to Arthur Weasly] How far up are we, dad?
Lucius Malfoy: [from below] Well, put it this way. If it rains, you’ll be the first to know.
Voldemort: [looking at Cedric's body] Awww, tsk, tsk, tsk…
[nudges Cedric's face with his foot]
Voldemort: Such a handsome boy.
Harry: Don’t touch him!
Sirius Black: [in his letter] “Harry, I couldn’t risk sending Hedwig. Since the World Cup the Ministry has been intercepting more and more owls, and she’s too easily recognized. We need to talk, Harry, face to face. Meet me in the Gryffindor Common Room at one o’clock, this Saturday night. And make sure you’re alone. Sirius. P.S…?
[the bird bites Harry's hand]
Harry: AH!
Sirius Black: “The bird bites.”
[Professor McGonagall demonstrates a waltz with Ron as her partner]
Professor McGonagall: One-two-three, one-two-three…
Harry: [aside] You’re never gonna let him forget this, are you?
Fred, George: [shaking their heads] Never.
Neville: What’s wrong, Harry? You seem a little tense!
Harry: [through teeth] Do I?
Dumbledore: The Goblet of Fire! Anyone wishing to submit themselves to the tournament need only write their name upon a piece of parchment and throw it in the flame before this hour on Thursday night. Do not do so lightly! If chosen, there’s no turning back. As from this moment, The Triwizard Tournament has begun!
Dumbledore: Eternal glory! That’s what awaits the student who wins The Triwizard Tournament, but to this that student must survive three tasks. Three EXTREMELY DANGEROUS tasks.
Fred, George: Wicked!
Dumbledore: Your attention please. I’d like to say a few words. Eternal Glory. That is what awaits the Student who wins the TriWizard Tournament. But to do this the Student must survive three tasks. Three extremely dangerous tasks. To explain all this we have the Head of the Department of Inernational Magical Cooperation, Mr. Bartemus Crouch…
Hagrid: I take after my mum. Though I didn’t know her very well, she left when I was about three. Broke my dad’s heart, though. You know, he was a tiny little feller, my dad. I could pick him up at the age of six, with one hand, and put him up on the dresser.
[He and Olympe laugh]
Hagrid: He laughed so hard at that! And then he died, about when I started school. So I had to make my own way, so to speak… but enough about me. What about you?
Dumbledore: Well now that we’re all settled in and sorted, I’d like to make an announcement. This castle will not only be your home this year but home to some very special guests as well. You see, Hogwarts has been chosen to host a legendary event: The TriWizard Tournament. The Tournament brings together three schools for a series of magical contests. From each school a single student is selected to compete. Now let me be clear. If chosen, you stand alone. And trust me when I say, these contest are not for the faint-hearted. But more of that later.
Barty Crouch Junior: [casting the Dark Mark into the night sky] Morsmordre!
Hermione: It’s not going to work.
Fred: Oh yeah?
George: Why’s that, Granger?
Hermione: You see this?
[gestures to a glowing circle on the floor]
Hermione: This is an age line. Dumbledore drew it himself.
Fred: So?
Hermione: So a genius like Dumbledore couldn’t possibly be fooled by a dodge as pathetically dim witted as an ageing potion.
Fred: Ah, but that’s why it’s so brilliant!
George: Because it’s so pathetically dim witted.
Professor Moody: What are you going to do about your dragon?
Harry: Oh… um… well, you know, I just thought I’d…
Professor Moody: Listen to me, Potter. Your pal Diggory? By your age he could turn a whistle into a watch and have it sing you the time. Miss Delacour is as much a fairy princess as I am. As for Krum, his head may be filled with sawdust, but Karkaroff’s is not. They’ll have a strategy. And you can bet that it will play to Krum’s strengths. Come on, Potter, what are you strengths?
Harry: I dunno… I can fly, I mean I’m a fair flyer…
Professor Moody: Better than fair the way I heard it.
Harry: But I’m not allowed a broom.
Professor Moody: You’re allowed a wand…
Seamus: It’s not like I *try* to blow things up, exactly, it just sorta happens. You gotta admit though, fire is fascinating.
Voldemort: Don’t you turn your back on me, Harry Potter! I want you to look at me when I kill you! I want to see the light leave your eyes!
Harry: [facing Voldemort] Have it your way!
Voldemort, Harry: [both shouting together] Avada Kedavara!/Expelliarmus!
[after the dragon has run into the teachers stand]
Fred: [yelling] Well done dragon!
Cornelius Fudge: For God’s sake Dumbledore, what’s happened?
Harry: [crying over Cedric's body] He’s back! He’s back! Voldemort’s back! Cedric, he asked me to bring his body back. I couldn’t leave him… not there!
Dumbledore: It’s all right, Harry… it’s all right. He’s home, you both are.
Cornelius Fudge: [Rushing over to Professors Snape and McGonagall] Keep everybody in their seats, a boy has just been killed! The body must be moved, Dumbledore, there are too many people!
Amos Diggory: [Pushing his way frantically through the crowd] Let me through. LET ME THROUGH! Let me through, THAT’S MY SON! That’s my boy!
[He pushes Harry's hands away and leans over Cedric's body, sobbing hysterically]
Amos Diggory: IT’S MY BOY!
Harry: Why are they all standing around that manky old boot?
Harry: Ron, where are we actually going?
Ron: Don’t know…
[to Arthur]
Ron: Hey, Dad! Where are we going?
Arthur Weasley: Haven’t the foggiest! Keep up!
Amos Diggory: Total shambles, as per usual.
Professor Moody: [points to a mirror in his office] That’s my Foe-Glass. Lets me keep an eye on my enemies. When I see the whites of their eyes, it means they’re right behind me.
[a trunk in the office rocks violently, and a low moan comes from inside]
Professor Moody: Wouldn’t even bother to tell you what’s in there, wouldn’t believe me if I did.
[repeated line]
Dumbledore: At the sound of the cannon…
[cannon fires]
Malfoy: Why so tense, Potter? My father and I have a bet, you see. See, I don’t think you’re going to last ten minutes in this tournament. He disagrees. He thinks you won’t last five!
Harry: I don’t give a damn what your father thinks, Malfoy! He’s vile and cruel, and you’re just pathetic!
Harry: You’re being stupid.
Ron: Yeah, that’s me. Ron Weasley, Harry Potter’s stupid friend!
Padma Patil: [to Ron] Don’t you look… dashing.
Cedric Diggory: For a moment there, I thought you were going to let it get me.
Harry: For a moment there, so did I!
James Potter: Harry! When the connection is broken you MUST get to the Portkey. We can linger for a moment to give you some time but only a moment. Do you understand?
Cedric Diggory: Harry. Take my body back, will you? Take my body back to my father.
Lily Potter: Let go. Sweetheart, you’re ready. Let go… LET GO!
[Moody takes a drink from his flask]
Seamus: What do you suppose he’s got there?
Harry: I don’t know, but I don’t think it’s pumpkin juice.
Harry: ‘Come seek us where our voices sound’.
Hermione: The Black Lake, that’s obvious.
Harry: ‘An hour long you’ll have to look’.
Hermione: Again, obvious. Though admittedly potentially problematic…
Harry: Potentially problematic? When was the last time you held your breath underwater for an hour, Hermione?
Dumbledore: No spell can reawaken the dead, Harry. I trust you know that. Dark and difficult times lie ahead. Soon we must all face the choice between what is right and what is easy.
Rita Skeeter: So tell me, Harry. Here you sit, a mere boy of 12…
Harry: – I’m 14…
Rita Skeeter: – about to compete against three students who are not only vastly more emotionally mature than yourself, but who’ve mastered spells that you wouldn’t attempt in your dizziest daydreams. Concerned?
Harry: I dunno, I haven’t really thought about it…
Rita Skeeter: Because you’re no ordinary boy of 12 are you?
Harry: 14.
Rita Skeeter: Your story’s legend. Do you think it was the trauma of your past that made you so keen to enter such a dangerous tournament?
Harry: No, I didn’t enter.
Rita Skeeter: Of course you didn’t.
[winks]
Rita Skeeter: Everyone loves a rebel, Harry. Speaking of your parents, were they alive, how do you think they’d feel? Proud? Or concerned that your attitude shows, at best, a pathological need for attention? The worst psychotic death wish.
[Harry glances at Rita's notes]
Harry: Hey, my eyes aren’t glistening with the ghosts of my past!
Voldemort: My wand, Wormtail.
Harry: Dragons? That’s the first task? You’re joking!
Hagrid: Come on, Harry. They’re seriously misunderstood creatures. Although, I have to admit, that Horntail is a right nasty piece of work. Poor Ron nearly fainted just seeing them, you know.
Harry: Ron was here?
Hagrid: Well sure. His brother Charlie had to bring them over from Romania. Didn’t Ron tell you that?
Harry: No he didn’t. He didn’t tell me a thing.
Ron: [about Hermione] Why do you think she won’t tell us who she’s going to the ball with?
Harry: ‘Cause she knows we’d take the mickey out of her if she did.
Neville: You know, if you’re interested in plants, you should use Goshawk’s Guide To Herbology. There’s someone in Tibet who’s growing gravity resistant trees…
Harry: Neville, no offense, but I really don’t care about plants. Now, if there’s a Tibetan turnip that will help me breathe underwater for an hour, great. But otherwise…
Neville: I don’t know about turnips, but you could always use gillyweed.
Harry: You’re sure about this, Neville?
Neville: Absolutely.
Harry: For an hour?
Neville: Most likely.
Harry: “Most likely?”
Neville: Well, there’s some debate among herbologists about its effectiveness in fresh water as opposed to salt water…
Harry: You’re telling me this *now*?
Ron: What are those?
Harry: My dress robes…
Ron: Well, those’re all right! No lace, no dodgy little collar…
Harry: Well, I expect yours are more traditional…
Ron: Traditional? They’re ancient! I look like my great aunt Tessie!
[takes a sniff in the underarm area]
Ron: I smell like my great Aunt Tessie!
Harry: [in the Prefects' Bathroom, looks at the Golden Egg with trepidation] I must be out of my mind.
[he opens it, and it emits its usual high-pitched squeal before he slams it shut]
Harry: I’m definitely out of my mind.
Moaning Myrtle: I’d try putting it in the water if I were you.
Harry: [startled] Myrtle!
Moaning Myrtle: Hello Harry! Long time no see! I was circling a blocked drain the other day, I could swear I saw a bit of Polyjuice Potion. Not being a bad boy again, are we?
Harry: Polyjuice Potion? Kicked the habit. Myrtle, did you say try putting it in the water?
Moaning Myrtle: That’s what he did, the other boy. The handsome one. Cedric. Well go on, open it.
Harry: [opens the egg underwater]
Voice inside the egg: Come seek us where our voices sound, we cannot sing above the ground. An hour long you’ll have to look to recover what we took.
Harry: Myrtle, there aren’t Merpeople in the Black Lake, are there?
Moaning Myrtle: Oh, very good. It took Cedric ages to riddle it out. Almost all the bubbles were gone…
Barty Crouch Junior: Hello, father!
Barty Crouch: You are no son of mine…
Voldemort: I’m going to kill you, Harry Potter. I’m going to destroy you. After tonight, no one will ever again question my power. After tonight if they speak of you, they’ll only speak of how you begged for death. And how I being a merciful Lord… obliged.
Harry: I didn’t put my name in that cup! I don’t want eternal glory, I just wanna be… look, I don’t know what happened tonight and I don’t know why. It just did.
Harry: In the graveyard, my wand and Voldemort’s sort of… connected.
Dumbledore: Priori Incantatem.
Voldemort: Nagini tells me that the old Muggle caretaker is standing right outside the door. Step aside, Wormtail, so that I can give our guest a proper greeting. Avada Kedavra!
Professor McGonagall: Inside every girl is a swan, waiting to burst out in flight.
Ron: [whispering] Something is about to burst out of Eloise Midgen, but I don’t think it’s a swan.
Harry: I love magic.
Karkaroff’s Aide: May I have your arm?
Parvati Patil: Arm, leg, I’m yours.
[repeated line]
Ron: Bloody hell!
Professor McGonagall: Professor Moody! What are you doing?
Professor Moody: Teaching.
Professor McGonagall: Teach – is that a student?
Professor Moody: Technically it’s a ferret.
Ron: Piss off.
Hermione: Ron, you spoiled everything!
Hermione: Ronald would like me to tell you that Seamus told him that Dean was told by Parvarti that Hagrid’s looking for you.
Harry: Is that right? Well… what?
Hermione: Uh… Dean was told by Parvarti… please don’t ask me to say it again. Hagrid’s looking for you.
Harry: Well you can tell Ronald…
Hermione: I’m not an owl!
Dumbledore: People change in the maze. Oh, find the cup if you can. But be very wary; you could just lose yourselves along the way.
[repeated line]
Parvati Patil, Padma Patil: Hi, Harry!
Sirius Black: I don’t have much time, Harry, so let’s get right to it. Did you or did you not put your name into the Goblet of Fire?
Harry: No!
Sirius Black: Shh. I had to ask. Now tell me about this dream of yours. You mentioned Wormtail and Voldemort, but who was the third man in the room?
Harry: I dunno.
Sirius Black: You didn’t hear a name?
Harry: No. Voldemort was giving him a job to do. Something important.
Sirius Black: And what was that?
Harry: He wants… me. I don’t know why, but he was going to use this man to get to me. But, I mean, it was only a dream, right?
Sirius Black: Yes… it’s just a dream. Look, Harry, the Death Eaters at the world cup; your name rising out of the Goblet of Fire; these are not just coincidences! Hogwarts isn’t safe anymore.
Harry: What are you saying?
Sirius Black: I’m saying the devils are inside the walls. Igor Karkaroff. He was a Death Eater and no one, *no one* stops being a Death Eater. Then there’s Barty Crouch. Heart of stone, sent his own son to Azkaban.
Harry: Do you think one of them put my name in the Goblet?
Sirius Black: I haven’t a clue who put your name in the Goblet, Harry, but whoever did is no friend to you. People die in this tournament.
Harry: I’m not ready for this, Sirius!
Harry: You don’t have a choice
Parvati Patil: [turns around and sees Hermione] She looks beautiful.
Harry: [staring at Cho] Yes, she does.
Dumbledore: Harry, feel free to treat yourself to a licorice snap. But be careful, they’re a wee bit sharp.
Harry: I just wondered if…
[bird squawks loudly in the background]
Harry: Ijustwanderedifmaybeyouwantedtogototheballwithme!
Cho Chang: Sorry, I didn’t catch that.
Harry: I was just wondering if maybe you wanted to go to the ball with me…
Cho Chang: Oh.
[Suddenly looking very uncomfortable]
Cho Chang: Harry, I’m sorry but someone’s already asked me. And well, I’ve, I’ve said I’ll go with him.
Harry: Okay, great, good, fine, great, no problem.
[turns to head into the Owlery]
Cho Chang: Harry! I really am… sorry.
[manages a weak, embarrassed smiled as she descends the staircase]
Dumbledore: Curiosity is not a sin, Harry. However, from time to time, you should exercise caution.
Dumbledore: [to Harry] I never liked these curtains. I set them on fire in my fourth year. Accidentally, of course.
[first lines]
Frank Bryce: Bloody kids!
Voldemort: You’ve been taught how to duel, I presume? First we bow to each other
[Voldemort bows, Harry does not]
Voldemort: Come now, Harry, the niceties must be observed. Dumbledore would not want you to forget your manners. I said, “Bow.”
[uses a curse to make Harry bow]
Professor McGonagall: Now, Mr. Weasley, place your right hand on my waist.
Ron: Where?
Rita Skeeter: This is cozy.
Harry: It’s a broom cupboard.
Rita Skeeter: Well you should feel right at home, then.
Arthur Weasley: Get out of the kitchen, Ron! Everybody’s hungry!
George, Fred: [together] Get out of the kitchen!
Arthur Weasley: [to the twins] Feet off the table!
George, Fred: [together] Feet off the table!
[put feet back on the table]
Professor McGonagall: The house of Godric Gryffindor has commanded the respect of the wizarding world for nearly ten centuries. I will not have you, in one night, besmirching that name by behaving like a babbling, bumbling band of baboons!
Fred: [whispering to George] Try saying that five times fast.
George: [whispering] Babbling, bumbling band of baboons.
Fred: [whispering] Babbling, bumbling band of baboons.
Ron: There’s no one like Krum! He’s like a bird the way he rides the wind! He’s more than an athlete! He’s an artist.
Ginny: I think you’re in love, Ron.
Ron: Shut up!
George: [grabs one of Ron's hands and begins singing] Victor, I love you!
Fred: [grabs Ron's other hand] Victor, I do!
George, Fred, Harry: When we’re apart my heart beats only for you!
Seamus: Blimey! That’s one big woman.
[after getting his kiss from Fleur]
Ron: Merci…
Professor Moody: Stupid ceiling.
Harry: What’s with the flower? Hagrid… have you combed your hair?
Hagrid: ‘S a matter of fact I have. You might want to try the same thing now and again.
Professor McGonagall: Mr. Potter, are you and Miss Patil ready?
Harry: Ready, Professor?
Professor McGonagall: To dance! It’s tradition that the three champions-well in this case four- are the first to dance. Surely I told you?
Harry: No.
Professor McGonagall: Oh, well, now you know.
Malfoy: [after Moody humilates him by turning him into a ferret and bouncing him up and down] My father will hear about this!
Professor Moody: Is that a threat?
[He steps forward, and Malfoy runs around the tree, Moody following]
Professor Moody: Is that a threat? Is that a threat?
[Malfoy flees]
Professor McGonagall: Professor Moody! Professor!
Professor Moody: [yelling after him ] I could tell you stories about your father that would curl even your greasy hair, boy!
Professor McGonagall: Alastor!
Professor Moody: It doesn’t end here!
Professor McGonagall: Alastor, we never use transfiguration as a punishment. Surely Dumbledore told you that?
Professor Moody: He might have mentioned it.
Professor McGonagall: Well then. Do well to remember it!
[She stalks off, and Moody makes a face at her retreating back]
Peter Pettigrew: Bone of the father, unwillingly given.
[adds old bone to cauldron]
Peter Pettigrew: Flesh of the servant, willingly sacrificed.
[cuts off hand which drops into cauldron]
Peter Pettigrew: Blood of the enemy, forcibly taken.
[cuts Harry's arm and adds blood to cauldron]
Peter Pettigrew: The Dark Lord shall rise again!
Dumbledore: Today we acknowledge a really terrible loss. Cedric Diggory was, as you all know, exceptionally hard working, infinitely fair-minded, and most importantly, a fierce, fierce friend. Therefore, I feel you have the right to know exactly how he died. You see, Cedric Diggory was murdered, by Lord Voldemort. The Ministry of Magic does not wish me to tell you this. But not to do so I feel would be an insult to his memory. Now the pain we all feel at this dreadful loss reminds me, and, reminds us, that though we may come from different countries and speak in different tongues, our hearts beat as one. In light of the recent events, the bonds of friendship made this year will be more important than ever. Remember that, and Cedric Diggory will not have died in vain. You remember that, and we’ll celebrate a boy who was kind, and honest, and brave, and true. Right to the very end.
Voldemort: [after the Death Eaters have Apparated to the graveyard] Welcome, my friends. Thirteen years it’s been, and yet, here you stand as if it were only yesterday. I confess myself… disappointed. Not one of you tried to find me…
[running around and angrily ripping masks off several followers]
Voldemort: Crabbe! Macnair! Goyle! Not even you, Lucius.
Lucius Malfoy: [sinking to the ground] My Lord, had I detected any sign… a whisper of your whereabouts…
Voldemort: Oh there were signs, my slippery friend, and more than whispers.
Lucius Malfoy: I assure you, my Lord, I have never renounced the old ways. The face I have been obliged to present since your… absence…
[removes his hood]
Lucius Malfoy: That is my true mask.
Igor Karkaroff: [a highly agitated Karkaroff is following Snape around outside the Yule Ball as Snape patrols through the carriages parked on the grounds] It’s happening again, like before, and soon neither you nor anyone else will be able to deny it.
Professor Snape: I’ve told you already Igor, I see no reason to discuss it.
[notices one carriage that is definitely occupied and blasts the door open with his wand, shooing out the students]
Professor Snape: Lumos! Ten points from Hufflepuff, Fawcett, and the same from Ravenclaw, Stebbins.
Igor Karkaroff: It’s a sign, Severus, you know it is.
Professor Snape: Sorry, I don’t know what you’re talking about.
Igor Karkaroff: Really? Then perhaps you wouldn’t mind rolling up your sleeve them, huh?
[reaches for Snape's left arm, which Snape quickly pulls out of his way]
Igor Karkaroff: You don’t fool me, Severus. You are scared. Admit it!
Professor Snape: I have nothing to be scared of, Igor. Can you say the same?
[the Trio sits around the fireplace in the Gryffindor Common Room, digesting the murder of Barty Crouch, Sr. that has just taken place]
Ron: They’ll cover this up, you watch. Fudge’ll sell his soul before this gets out in the Daily Prophet.
Harry: But why?
Ron: Look, nobody liked Crouch. I know this from my father. Loads of people wanted him dead. But, he was a Ministry Official. It’s not even like he turned up stiff in Knockturn Alley. He was murdered at Hogwarts. This is a big deal.
Hermione: It can’t be coincidence… Harry’s dreams, his scar hurting, the Dark Mark, his name coming out of the Goblet of Fire. Surviving the Tournament isn’t the answer anymore Harry. It’s bigger than this. And I really think you should go to Dumbledore.
Ron: Yeah.
Ron: What do you suppose is on Karkaroff’s arm?
Harry: I dunno.
Hermione: Boomslang skin and Lacewing flies… you’re sure those are the two ingredients Snape mentioned?
Harry: Positive, why?
Hermione: Well, he thinks we’re brewing Polyjuice Potion doesn’t he?
Harry: I don’t care what Snape thinks, I’ve got bigger problems than detention. Something’s coming closer.
[touches his stinging scar]
Harry: I can feel it.
Dumbledore: Hogwarts, let’s entertain our friends in the best way we can, all stand!
[the entire student body stands up as one]
Dumbledore: Maestro, if you will!
[Professor Flitwick and Dumbledore both begin conducting the students as they sing the school song]
Hogwarts student body: ‘Hogwarts, Hogwarts, Hoggy warty Hogwarts, teach us something please. Whether we be old and bald or young with scabby knees. Our heads could do with filling with some interesting stuff, for now they’re bare and full or air, dead flies and bits of fluff!’
[as they are singing, the Durmstrang and Beauxbatons students merely stare, as if they can't believe what they are seeing/hearing]
Barty Crouch: Chinese Fireball! Ooooo!
Arthur Weasley: [after the trio is nearly hit by several Stunning Spells] Stop! That’s my son!
[he runs up to the kids]
Arthur Weasley: Ron, Harry, Hermione are you alright?
Ron: We came back for Harry.
Barty Crouch: [Whipping out his wand and pointing it threateningly between the three kids] Which of you conjured it?
Arthur Weasley: Barty, you can’t be serious…
Barty Crouch: DO NOT LIE! You have been discovered at the scene of the crime!
Harry: Crime?
Arthur Weasley: Barty, they’re just kids.
Harry: What crime?
Hermione: It’s the Dark Mark, Harry. It’s HIS Mark.
Harry: [glances up at the huge skull and snake in the air] Voldemort? Those people, in the masks, they’re his too aren’t they? His followers.
Arthur Weasley: Death Eaters.
Barty Crouch: [to the rest of the Ministry Wizards] Follow me.
Harry: Uh, there was a man, earlier.
[he points in the direction where he saw Crouch, Jr]
Harry: There.
Barty Crouch: All of you, this way!
Arthur Weasley: A man, Harry? Who was he?
Harry: I don’t know. I didn’t see his face.
George: Ready Fred?
Fred: Ready George!
George, Fred: Bottoms up!
[they drink the ageing potion together]
[referring to the mayhem at the World Cup and the Dark Mark]
Hermione: This is horrible! How can the ministry not know who conjured it? Wasn’t there any security?
Ron: Loads, according to Dad. That’s what worries them so much. It happened right under their noses.
Rita Skeeter: What a charismatic quartet! Hello, I’m Rita Skeeter. I write for the daily prophet. But, of course, you know that, don’t you? It’s you we don’t know. You’re the juicy news. What quirks lurk beneath those rosy cheeks? What mysteries do the muscles mask? Does courage lie beneath those curls? In short, what makes a champion tick? Me, myself and I want to know. Not to mention my ravid readers. So, who’s feeling up to sharing? Shall we start with the youngest? Lovely.
Harry: Dragons, that’s the first task. They’ve got one for each of us.
Cedric Diggory: Are you serious? And Fleur and Krum, do they…?
Harry: Yes.
Cedric Diggory: Right. Hey, listen, about the badges. I’ve asked them not to wear them…
Harry: Don’t worry about it.
Harry: You’re a right foul git, you know that?
Ron: You think so?
Harry: I know so!
Ron: Anything else?
Harry: Yeah, stay away from me!
Ron: Fine.
Hermione: Your wand, Harry! Your wand!
Fred: We knew you wouldn’t die, Harry!
George: Might lose a leg.
Fred: Or an arm.
George: But pack it in all together?
Fred, George: Never!
Padma Patil: Is that Hermione Granger with Viktor Krum?
Ron: No. Absolutely not.
Hagrid: I remember when I first met you all. Biggest bunch of misfits I ever set eyes on! You reminded me of myself a little. And here we all are, four years later.
Ron: We’re still a bunch of misfits.
Hagrid: Well maybe. But you’ve all got each other. And Harry of course, soon to be THE YOUNGEST TRI-WIZARD CHAMPION THERE’S EVER BEEN! HOORAY!
Professor Moody: So, what curse shall we see first? Weasley!
Ron: [scared] Yes?
Professor Moody: Stand!
[Ron does]
Professor Moody: Give us a curse.
Ron: Well… my dad did tell me about one. The Imperius Curse?
Professor Moody: Oh, yeah, your dad would know all about that one. Gave the Ministry a lot of trouble at one time. Perhaps this will show you why.
[opens a jar full of spiders and picks one out]
Professor Moody: Hello, my little beauty! Engorgio.
[the spider grows to a huge size]
Professor Moody: Imperio!
[the spider begins hopping around the room, onto student's clothes, faces, etc. Everyone starts laughing]
Professor Moody: Don’t worry, she’s completely harmless! If she bites… she’s lethal!
[laughs with everyone]
Professor Moody: Talented, isn’t she? What shall I have her do next? Jump out the window?
[the spider jumps toward the window, which is closed, and slams into the glass. Everyone stops laughing at once]
Professor Moody: Drown herself?
[the spider jumps to a pail of water and poises on the rim, ready to dive. Then he brings her back to his arms]
Professor Moody: Scores of wizards and witches claimed that they only did You-Know-Who’s bidding under the effects of the Imperius Curse. But here’s the rub… how do we sort out the liars?
[Moody walks to Hermione's desk and places the spider in front of her]
Professor Moody: Perhaps you’d like to give us the last curse, Miss Granger?
[tears swimming in her eyes, Hermione shakes her head vigorously]
Professor Moody: No?
[pause]
Professor Moody: AVADA KEDAVRA!
[with a flash of green light, the spider lets out one final squeak, then stops moving. Hermione cannot even look]
Professor Moody: The Killing Curse. Only one wizard is known to have survived it. And he’s sitting in this room.
[he stands in front of Harry]
Dumbledore: Send a message to Azkaban. I think they’ll find they’re missing a prisoner.
Barty Crouch Junior: [gloating] I’ll be welcomed back like a hero!
Dumbledore: Perhaps. Personally, I’ve never had much time for heroes.
Professor Moody: Let’s have another curse. C’mon, c’mon.
[Neville's hand slowly goes up, and Moody calls on him]
Professor Moody: Longbottom, isn’t it? Professor Sprout tells me you have an aptitude for Herbology.
Neville: Th-there’s um… the Cruciatus Curse.
Professor Moody: Correct! Correct! Particularly nasty.
[he leads Neville up to his desk and puts the spider down in front of him]
Professor Moody: The torture curse. CRUCIO!
[the spider begins to squeak and writhe in pain. Neville flinches, almost unable to watch as the spider continues to curl itself up in agony]
Hermione: Stop it! Can’t you see it’s bothering him? STOP IT!
[Moody lifts the curse, and again palms the spider. Neville is left standing at the desk, looking shell-shocked]
George: Three People will go down…
Fred: But will three come up?
Ginny: Why do have to be so mean?
showtimesofficial sitesmiscellaneousphotographssound clipsvideo clips
Original Music by |
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| Patrick Doyle | |||
Cinematography by |
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| Roger Pratt | (director of photography) | ||
Film Editing by |
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| Mick Audsley | |||
Casting by |
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| Mary Selway | |||
| Fiona Weir | |||
Production Design by |
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| Stuart Craig | |||
Art Direction by |
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| Andrew Ackland-Snow | (senior art director) | ||
| Mark Bartholomew | |||
| Alastair Bullock | (as Al Bullock) | ||
| Alan Gilmore | |||
| Neil Lamont | (supervising art director) | ||
| Gary Tomkins | |||
| Alexandra Walker | |||
Set Decoration by |
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| Stephanie McMillan | (as Stephenie McMillan) | ||
Costume Design by |
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| Jany Temime | |||
Makeup Department |
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| Mark Coulier | …. | key prosthetic makeup artist | |
| Nick Dudman | …. | creature & makeup effects designer | |
| Eithne Fennel | …. | chief hair designer (as Eithne Fennell) | |
| Eithne Fennel | …. | chief hair stylist (as Eithne Fennell) | |
| Andrea Finch | …. | hair stylist: second unit | |
| Betty Glasow | …. | hair stylist | |
| Jenny Harling | …. | hair stylist | |
| Shaune Harrison | …. | key prosthetic makeup artist | |
| Teresa Hinton | …. | hairdresser | |
| Belinda Hodson | …. | makeup artist | |
| Jan Jamison | …. | hair stylist | |
| Amanda Knight | …. | makeup designer | |
| John Lambert | …. | makeup effects buyer | |
| Clare Le Vesconte | …. | chief makeup artist | |
| Elizabeth Lewis | …. | hair coordinator | |
| Elizabeth Lewis | …. | makeup coordinator | |
| Kristyan Mallett | …. | foam & silicon technician (as Krystian Mallett) | |
| Sharon Nicholas | …. | makeup artist | |
| Lyn Nicholson | …. | creature effects coordinator | |
| Lyn Nicholson | …. | makeup effects coordinator | |
| Alex Rouse | …. | wig maker | |
| Norma Webb | …. | makeup artist: second unit | |
| Amy Byrne | …. | hair trainee (uncredited) | |
| Sarah Downes | …. | makeup dailies (uncredited) | |
| Michael Krehl | …. | makeup artist (uncredited) | |
| Adrian Rigby | …. | prosthetic makeup assistant (uncredited) | |
| Jemma Scott-Knox-Gore | …. | contact lens technician (uncredited) | |
| Ailie Smith | …. | makeup artist (uncredited) | |
Production Management |
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| David Carrigan | …. | production manager | |
| Tim Lewis | …. | unit production manager | |
| Russell Lodge | …. | production manager: second unit | |
| Jessie Thiele | …. | post-production supervisor | |
Second Unit Director or Assistant Director |
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| Janette Boyle | …. | additional third assistant director | |
| Tom Brewster | …. | additional third assistant director | |
| Lyndsay Bullock | …. | third assistant director: second unit | |
| Jane Burgess | …. | co-second assistant director | |
| Rob Burgess | …. | additional third assistant director | |
| Chris Carreras | …. | first assistant director | |
| Jamie Christopher | …. | first assistant director: second unit | |
| William Dodds | …. | second assistant director (as Will Dodds) | |
| Robert Grayson | …. | key second assistant director (as Robert P. Grayson) | |
| Stewart Hamilton | …. | additional third assistant director | |
| Sallie Anne Hard | …. | second assistant director: second unit (as Sallie Hard) | |
| Phillippa Hunt | …. | third assistant director (as Philippa Hunt) | |
| Natasha Llewelyn | …. | additional third assistant director | |
| Peter MacDonald | …. | second unit director (as Peter Macdonald) | |
| Michael Michael | …. | third assistant director | |
| Ali Morris | …. | third assistant director | |
| Fiona Richards | …. | second assistant director (as Fiona Perry) | |
| Adam Jenkins | …. | additional third assistant director: dailies (uncredited) | |
| Nick Shuttleworth | …. | additional second assistant director (uncredited) | |
| Kevin Westley | …. | additional first assistant director: second unit (uncredited) | |
Art Department |
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| Wayne D. Barlowe | …. | conceptual artist (as Wayne Barlowe) | |
| Celia Barnett | …. | specialist researcher | |
| Jim Barr | …. | prop modeller | |
| Andrew Bennett | …. | art department assistant | |
| Hannah Biggs | …. | prop modeller | |
| Graham Blinco | …. | hod stagehand | |
| Pierre Bohanna | …. | supervising modeller | |
| Adam Brockbank | …. | creature designer | |
| Paul Burgess | …. | dressing propman | |
| Oliver Carroll | …. | art department assistant | |
| Paul Catling | …. | creature designer | |
| Bruce Cheesman | …. | chargehand stand-by propman: second unit | |
| Paul Cheesman | …. | property storeman | |
| Jane Clark | …. | storyboard artist | |
| Matt Cooke | …. | dressing propman | |
| Stan Cook | …. | dressing propman | |
| Bryn Court | …. | head sculptor | |
| Julia Dehoff | …. | draughtsman | |
| Ben Dennett | …. | conceptual artist | |
| Andy Evans | …. | head construction electrician | |
| Martin Foley | …. | stand-by art director | |
| John Fox | …. | chargehand dressing propman | |
| Pip Fox | …. | stand-by propman: second unit | |
| Paul Freeth | …. | construction stand-by | |
| Daniel Handley | …. | drapesman | |
| Gary Handley | …. | drapesmaster | |
| Rosie Hardwick | …. | assistant art director | |
| Brian Hartnoll | …. | construction stand-by | |
| Gary Hayes | …. | construction buyer (as Garry Hayes) | |
| Paul J. Hayes | …. | construction manager (as Paul Hayes) | |
| Steve Hedinger | …. | head decor and lettering artist | |
| Kevin Herbert | …. | dressing propman | |
| Sean Higgins | …. | construction stand-by | |
| Christian Huband | …. | assistant art director | |
| Geoffrey Huband | …. | conceptual artist | |
| Molly Hughes | …. | draughtsman | |
| Gary Ixer | …. | stand-by propman | |
| Jodie Jackman | …. | art department coordinator | |
| Jonathan Jackson | …. | prop modeller | |
| Jessie Jones | …. | drapery supervisor | |
| Gary Jopling | …. | junior draughtsman | |
| Nicky Kaill | …. | scenic artist | |
| Matthew Kerly | …. | art department assistant | |
| John Kirsop | …. | hod carpenter | |
| Paul ‘Spike’ Knight | …. | prop modeller | |
| Eduardo Lima | …. | graphic artist | |
| Steve Lowen | …. | construction stand-by | |
| Tom Lowen | …. | construction stand-by (as Tommy Lowen) | |
| Chris Lunney | …. | archivist | |
| Catriona Maccann | …. | junior modeler | |
| Peter Mann | …. | construction stand-by | |
| Francis Martin | …. | decor & lettering artist | |
| Iain McCaig | …. | conceptual artist | |
| Ginger McCarthy | …. | hod rigger | |
| Christian McDonald | …. | chargehand dressing propman | |
| Stuart Meridew | …. | prop manufacturing buyer | |
| Micky Mills | …. | chargehand dressing propman | |
| Miraphora Mina | …. | props concept artist (as Miraphora Caruso) | |
| Ian Murphy | …. | construction stand-by | |
| Kevin Nugent | …. | head metal worker | |
| Gerry O’Connor | …. | dressing propman | |
| Nick Pelham | …. | storyboard artist | |
| Amanda Pettett | …. | construction coordinator | |
| Denis Rich | …. | storyboard artist | |
| Oliver Roberts | …. | art department assistant | |
| Steven Sallybanks | …. | scenic artist (as Steve Sallybanks) | |
| Lee Sandales | …. | co-set decorator | |
| Robin Schoonraad | …. | prop modeller (as Robin Schoonaraad) | |
| Christian Short | …. | chargehand dressing propman | |
| Nicola Short | …. | construction coordinator | |
| Tamazin Simmonds | …. | assistant production buyer | |
| Andy Skipsey | …. | dressing propman | |
| James Skipsey | …. | dressing propman (as Jim Skipsey) | |
| William Stickley | …. | construction stand-by (as Will Stickley) | |
| Tom Still | …. | assistant art director | |
| Deborah Stokely | …. | production buyer | |
| Hattie Storey | …. | junior draughtsman | |
| Stephen Swain | …. | stand-by art director | |
| Paul Taggart | …. | hod plasterer | |
| Claudine Thomas | …. | junior draughtsman | |
| Emma Vane | …. | draughtsman | |
| Matt Walker | …. | scenic artist | |
| John Weller | …. | modelling coordinator | |
| Robert Weller | …. | construction stand-by (as Rob Weller) | |
| David Wescott | …. | assistant construction manager | |
| Paul Wescott | …. | hod painter | |
| Michael Westcott | …. | construction stand-by | |
| Barry Wilkinson | …. | property master | |
| Ben Wilkinson | …. | chargehand dressing propman | |
| Jamie Wilkinson | …. | assistant property master | |
| Simon Wilkinson | …. | supervising chargehand stand-by propman | |
| Marcus Williams | …. | head scenic artist | |
| Andrew Williamson | …. | conceptual artist | |
| Ruth Winick | …. | junior draughtsman | |
| Tiffany Woods | …. | prop modeller | |
| Steve Wotherspoon | …. | junior modeler | |
| Tony Wright | …. | storyboard artist | |
| Simon Aronson | …. | propmaker (uncredited) | |
| Will Ayres | …. | props (uncredited) | |
| Gary Dawson | …. | dressing props (uncredited) | |
| Sylvain Despretz | …. | storyboard artist (uncredited) | |
| Mary Grandpré | …. | artist (uncredited) | |
| Shane Harford | …. | dressing props (uncredited) | |
| Caroline McFarlane-Watts | …. | model maker (uncredited) | |
| Dennis Murray | …. | plasterer (uncredited) | |
| Ethan J. Platt | …. | assistant property master (uncredited) | |
| Dermot Power | …. | conceptual artist (uncredited) | |
| Daniel Thompson | …. | carpenter (uncredited) | |
| Agatha Whitechapel | …. | props (uncredited) | |
| Simon Wilkinson | …. | stand-by property master (uncredited) | |
Special Effects by |
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| Adam Aldridge | …. | special effects technician | |
| Phil Ashton | …. | animatronic model designer | |
| Peter Aston | …. | special effects buyer | |
| Ritchie Baker | …. | special effects technician | |
| Chris Barton | …. | supervising animatronic designer | |
| James Bernardinis | …. | mold maker (as Jimmy Bernardinis) | |
| Ian Biggs | …. | special effects senior technician: second unit | |
| Nigel Brackley | …. | special effects supervising engineer | |
| Terry Bridle | …. | special effects senior technician | |
| Mark Bullimore | …. | special effects supervising engineer | |
| Jan Burns | …. | animatronic model designer (as Janet Burns) | |
| Trevor Butterfield | …. | special effects senior technician | |
| Mel Coleman | …. | mold maker | |
| John Cramman | …. | special effects technician | |
| Tracey Curtis | …. | senior modeller | |
| Demi Demetriou | …. | special effects technician | |
| Bill Dennis | …. | mold maker | |
| Matthew Denton | …. | performance systems supervisor (as Matt Denton) | |
| Nick Dudman | …. | creature effects designer | |
| Michael Durkan | …. | special effects supervising engineer (as Mike Durkan) | |
| Ronnie Durkan | …. | special effects technician | |
| Malcolm Evans | …. | animatronic model designer | |
| Luke Fisher | …. | sculptor | |
| Chris Fitzgerald | …. | sculptor (as Christopher Fitzgerald) | |
| Catherine H. Flemming | …. | animatronic model designer (as Catherine Flemming) | |
| Barry Fowler | …. | mold making supervisor | |
| Martin Fowler | …. | mold maker (as Martyn Fowler) | |
| Adrian Getley | …. | senior modeller | |
| Chris Giles | …. | special effects technician | |
| Barrie Gower | …. | animatronic model designer | |
| Chris Greenwood | …. | mold maker | |
| Frank Guiney | …. | special effects senior technician | |
| Lotta Haggqvist | …. | fabricator | |
| Tamzine Hanks | …. | animatronic model designer | |
| Matthew Harlow | …. | special effects technician (as Matt Harlow) | |
| Simon Hewitt | …. | special effects senior technician | |
| Kate Hill | …. | sculptor | |
| Andrea Hochgatterer-Kowland | …. | animatronic model designer (as Andrea Hochgatterer) | |
| Andy Hunt | …. | sculptor | |
| David Hunter | …. | special effects supervising engineer | |
| Jamie Iovino | …. | mold maker (as Jamie Lovino) | |
| Colin Jackman | …. | sculptor | |
| Martin Jago | …. | animatronic model designer | |
| Abbie Jones | …. | animatronic model designer | |
| Mark Jones | …. | animatronic model designer | |
| Valerie Jones | …. | key animatronic designer | |
| Nick Joscylene | …. | special effects technician: second unit (as Nick Joscelyne) | |
| Chris Kearney | …. | mold maker | |
| Tacy Kneale | …. | key animatronic designer | |
| John Lambert | …. | creature effects buyer | |
| Joshua Lee | …. | animatronic model designer | |
| Jeremy Lovett | …. | special effects senior technician (as Jem Lovett) | |
| Stephen Lowen | …. | mold maker (as Steven Lowen) | |
| Raj Mariathason | …. | mold maker (as Raj Mariathasan) | |
| Waldo Mason | …. | sculptor | |
| Holly McNabb | …. | foam & silicon technician | |
| Noah Meddings | …. | special effects technician: second unit | |
| Digby Milner | …. | special effects senior technician | |
| Brian Morrison | …. | special effects supervising engineer | |
| Luke Murphy | …. | special effects senior technician: second unit | |
| Stephen Murphy | …. | animatronic model designer | |
| Elizabeth Murray | …. | fabrication supervisor | |
| Julian Murray | …. | supervising sculptor | |
| Martin Neill | …. | special effects floor supervisor: second unit | |
| John Nolan | …. | animatronic model designer | |
| Richard Northcroft | …. | sculptor (as Rick Northcroft) | |
| Tracy O’Brien | …. | animatronic model designer | |
| Alan Perez | …. | wire effects technician | |
| Lee Phelan | …. | special effects technician | |
| Ben Philips | …. | special effects technician (as Ben Phillips) | |
| Peter Pickering | …. | special effects senior technician (as Pete Pickering) | |
| John Pilgrim | …. | special effects technician | |
| Anton Prickett | …. | special effects senior technician | |
| John Richardson | …. | special effects supervisor | |
| Marcus Richardson | …. | special effects technician | |
| Rosie Richardson | …. | special effects coordinator | |
| Andy Roberts | …. | animatronic model designer | |
| Phil Ross | …. | animatronic model designer | |
| Jim Sandys | …. | animatronic model designer (as James Sandys) | |
| Charlene Sant | …. | fabricator | |
| Dan Scott | …. | sculptor | |
| Joe Scott | …. | animatronic model designer | |
| Terry Sibley | …. | mold maker | |
| Tamzin Smythe | …. | mold maker (as Tamzin Smyth) | |
| Diane Staniforth | …. | animatronic model designer (as Diane Nicholson) | |
| Paul Stephenson | …. | special effects workshop supervisor | |
| Guy Stevens | …. | supervising animatronic designer | |
| Phoebe Tait | …. | special effects technician | |
| Paul Taylor | …. | special effects senior technician | |
| Dominic Tuohy | …. | special effects first floor supervisor | |
| Livia Turco | …. | sculptor | |
| Jennifer Walker | …. | key animatronic designer | |
| David Watson | …. | special effects senior technician (as Dave Watson) | |
| Kevin Welch | …. | wire effects coordinator | |
| Andy Weller | …. | wire effects technician | |
| Kevin Westcott | …. | special effects technician (as Kevin Wescott) | |
| Paul Whybrow | …. | special effects senior technician | |
| Simon Williams | …. | animatronic model designer | |
| Helen Wilson | …. | mold maker | |
| Keith O. Wilson | …. | mold maker (as Keith Wilson) | |
| Dan Woodley | …. | sculptor | |
| Matt Wood | …. | special effects technician | |
| Steve Wright | …. | animatronic model designer | |
| Benjamin M. Esterson | …. | special effects technician (uncredited) | |
| Martin Jago | …. | puppeteer (uncredited) | |
| Matthew Roberts | …. | special effects technician (uncredited) | |
| Amanda Ward | …. | mold maker (uncredited) | |
Visual Effects by |
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| Aurelia Abate | …. | visual effects: BUF (as Aurélia Abate) | |
| Steve Adamson | …. | miniature crew: Cinesite | |
| Alia Agha | …. | matchmove lead: ILM | |
| Ben Aickin | …. | compositor: Framestore-CFC | |
| Andrew Ainscow | …. | miniature crew: Cinesite | |
| Nicolas Aithadi | …. | supervisor: MPC | |
| Tim Alexander | …. | visual effects supervisor: ILM | |
| Paul Alexiou | …. | visual effects producer: MPC | |
| Rob Allman | …. | CG sequence supervisor: Framestore-CFC | |
| Shadi Almassizadeh | …. | visual effects: The Orphanage (as Farshad Shadi Almassizadeh) | |
| Johnny Alves | …. | visual effects: BUF | |
| Christoph Ammann | …. | CG lighting artist: Framestore-CFC | |
| Nicholas Anastassiou | …. | visual effects editor: ILM (as Nic Anastassiou) | |
| Florent Andorra | …. | visual effects: BUF | |
| Stephen Aplin | …. | animator: ILM (as Steve Aplin) | |
| David Armitage | …. | animator: effects and lighting artist, MPC | |
| Joakim Arnesson | …. | lead digital artist: ILM | |
| Joe Arnold | …. | 3D digital artist: Cinesite | |
| Jaume Arteman | …. | 2D digital artist: Cinesite | |
| Rosie Ashforth | …. | animator: Framestore CFC | |
| Oliver Atherton | …. | visual effects: Double Negative | |
| David Aulds | …. | rotoscope artist: Framestore-CFC | |
| Sergio Ayrosa | …. | compositor: MPC (as Sergio Aryosa) | |
| Trang Bach | …. | rotoscope artist: ILM | |
| Henry Badgett | …. | compositor: MPC | |
| Lance Baetkey | …. | rotoscoping lead: ILM | |
| Kevin Baillie | …. | visual effects: The Orphanage | |
| Richard Baker | …. | compositor: Framestore-CFC | |
| Felix Balbas | …. | character rigging supervisor: Framestore-CFC | |
| Chris Balog | …. | technical support: ILM (as Christopher Balog) | |
| Michael Balog | …. | digital artist: ILM | |
| Margaret Barber | …. | compositor: MPC | |
| Craig Bardsley | …. | animator: Framestore CFC | |
| Giacomo Bargellesi | …. | compositor: Framestore-CFC | |
| Reuben Barkataki | …. | roto/prep artist | |
| Daniel Barrow | …. | visual effects production manager (as Dan Barrow) | |
| Sebastien Beaulieu | …. | 3D digital artist: Cinesite | |
| Pete Bebb | …. | visual effects: Double Negative | |
| Xavier Bec | …. | visual effects: BUF | |
| Lizi Bedford | …. | visual effects coordinator: Framestore CFC | |
| Paul Beilby | …. | CG lighting artist: Framestore-CFC | |
| Matthew Bell | …. | character rigger: Framestore-CFC | |
| Michael Bell | …. | visual effects: Double Negative | |
| Laurent Benhamo | …. | animator: Framestore CFC | |
| Sara Bennett | …. | compositor: Framestore-CFC | |
| Stephen Bennett | …. | rotoscope artist: Framestore-CFC | |
| James Benson | …. | visual effects: Double Negative | |
| Hege Berg | …. | visual effects: Double Negative | |
| Eric Bermender | …. | technical support: ILM | |
| Nicolas Bernard | …. | visual effects: BUF | |
| Rodrigo Bernardo | …. | technical support: Framestore-CFC | |
| Christophe Bernaud | …. | CG lighting artist: Framestore-CFC | |
| Niki Bern | …. | compositor: Framestore-CFC | |
| Carl Bianco | …. | CG lighting artist: Framestore-CFC | |
| Nic Birmingham | …. | animator: effects and lighting artist, MPC | |
| Ari Blenkhorn | …. | software development: ILM | |
| Brendan Body | …. | animator: Framestore CFC | |
| Roger Bolton | …. | compositor: MPC | |
| Jon Bowen | …. | visual effects: Double Negative (as Jonathan Bowen) | |
| Vanessa Boyce | …. | visual effects: Double Negative | |
| Dameon Boyle | …. | visual effects: Double Negative | |
| Timothy Brakensiek | …. | digital artist: ILM | |
| Paul Brannan | …. | animator: effects and lighting artist, MPC | |
| Jessica Braun | …. | animator: effects and lighting artist, MPC | |
| Nicola Brodie | …. | visual effects: Double Negative | |
| Steve Brooke Smith | …. | miniature crew: Cinesite | |
| Jill Brooks | …. | visual effects producer: ILM | |
| Jason Brown | …. | digital artist: ILM | |
| Tripp Brown | …. | digital artist: ILM | |
| Ken Bryan | …. | CG modelling supervisor: ILM | |
| Daire Bryne | …. | technical support: Framestore-CFC (as Daire Byrne) | |
| Andrew Bull | …. | miniature crew: Cinesite (as Andy Bull) | |
| David Bullock | …. | software development: ILM | |
| Simon Bunker | …. | 3D digital artist: Cinesite | |
| Simon Burchell | …. | previsualization editor | |
| Tim Burke | …. | additional visual effects supervisor | |
| Kevin Campbell | …. | 3D digital artist: Cinesite | |
| Paul Campbell | …. | technical support: ILM | |
| Mario Capellari | …. | digital artist: ILM | |
| Jordi Cardus | …. | animator: effects and lighting artist, MPC | |
| Simon Carlile | …. | technical support: Framestore-CFC | |
| Tami Carter | …. | digital artist: ILM | |
| Federico Cascinelli | …. | animator: Framestore CFC | |
| Joe Ceballos | …. | matte painter: ILM | |
| Stephane Ceretti | …. | visual effects: BUF (as Stéphane Ceretti) | |
| Lawrence Chandler | …. | previsualization artist: ILM (as Larry Chandler) | |
| Kai Chang | …. | technical support: ILM | |
| Fred Chapman | …. | CG modeller & character rigging: MPC | |
| Simon Cheung | …. | CG modeller: ILM | |
| Ian Christie | …. | digital artist: ILM | |
| Evangelos Christopoulos | …. | animator: effects and lighting artist, MPC (as Evan Christopoulos) | |
| Paul Churchill | …. | digital artist: ILM | |
| Richard Clarke | …. | visual effects supervisor: Double Negative | |
| Tony Clark | …. | visual effects: Rising Sun Pictures | |
| Emily Cobb | …. | visual effects: Double Negative | |
| Isabel Cody | …. | animator: effects and lighting artist, MPC | |
| Debra Coleman | …. | visual effects: Double Negative | |
| Hayley Collins | …. | matchmove and rotoscoping: MPC | |
| Ian Comley | …. | technical support: Framestore-CFC | |
| Ryan Cook | …. | visual effects: Double Negative | |
| Dennis Cooper | …. | visual effects: The Orphanage | |
| Ian Cope | …. | visual effects: Rising Sun Pictures | |
| Theresa Corrao | …. | visual effects producer (as Theresa R. Corrao) | |
| Alexandra Coxon | …. | miniature crew: Cinesite | |
| Brenda Coxon | …. | model unit producer: Cinesite | |
| Catherine Craig | …. | texture artist: ILM | |
| Alastair Crawford | …. | visual effects: Double Negative | |
| Julie Creighton | …. | visual effects coordinator: ILM | |
| Tim Crosbie | …. | visual effects: Rising Sun Pictures | |
| Ciaran Crowley | …. | visual effects: Double Negative | |
| Darren Cullis | …. | previsualization artist | |
| Tiffany Cullum | …. | technical support: Cinesite | |
| Alex Cumming | …. | technical support: Framestore-CFC | |
| Mark Curtis | …. | compositor: MPC | |
| Mike Cusack | …. | animator: effects and lighting artist, MPC | |
| Matthew D’Angibau | …. | miniature crew: Cinesite (as Matthew d’Angibau) | |
| Sean Danischevsky | …. | visual effects: Double Negative | |
| Philipp Danner | …. | compositor: MPC | |
| Emanuele D’Arrigo | …. | animator: effects and lighting artist, MPC | |
| Haslina Dasley | …. | animator: effects and lighting artist, MPC | |
| Lorelei David | …. | technical support: ILM | |
| Scott David | …. | digital artist: ILM | |
| Giles Davies | …. | matchmove and rotoscoping: MPC | |
| Nicholas J. Davis | …. | miniature crew: Cinesite | |
| Virginie Degorgue | …. | texture artist: Framestore-CFC | |
| Max Dennison | …. | 2D digital artist: Cinesite | |
| Natasha Devaud | …. | digital artist: ILM | |
| Stephane Deverly | …. | CG lighting artist: Framestore-CFC (as Stéphane Deverly) | |
| Keith Devlin | …. | 2D digital artist: Cinesite | |
| Adrian De Wet | …. | compositing supervisor: FrameStore-CFC (as Adrian de Wet) | |
| Caine Dickinson | …. | supervisor: MPC | |
| Candace Di Talamo | …. | animator: effects and lighting artist, MPC | |
| Richard Diver | …. | visual effects: Double Negative | |
| Ferran Domenech | …. | supervisor: MPC | |
| Jennifer Sorem Dowell | …. | software development: ILM (as Jennifer Suter) | |
| Sarah Dowland | …. | visual effects producer: Framestore-CFC | |
| Peter Doyle | …. | supervising digital colourist | |
| Lecia Drysdale | …. | technical support: Framestore-CFC | |
| Laura Dubsky | …. | digital scanning and recording: Cinesite | |
| Richard Ducker | …. | digital artist: ILM | |
| Bob Dunbar | …. | miniature crew: Cinesite | |
| Robert Duncan | …. | compositor: Framestore-CFC (as Rob Duncan) | |
| Robert Duncan | …. | miniature crew: Cinesite (as Rob Duncan) | |
| Wayde Duncan-Smith | …. | character rigger: Framestore-CFC | |
| Jody Echegaray | …. | visual effects: The Orphanage | |
| Areito Echevarria | …. | compositing supervisor: FrameStore-CFC | |
| Selwyn Eddy | …. | matchmover: ILM (as Selwyn Eddy III) | |
| Clwyd Edwards | …. | supervisor: MPC | |
| Laurens Ehrmann | …. | visual effects: BUF | |
| Michael Bruce Ellis | …. | visual effects: Double Negative (as Mike Ellis) | |
| Stuart M. Ellis | …. | animator: Framestore CFC (as Stuart Ellis) | |
| Nick Epstein | …. | CG lighting artist: Framestore-CFC | |
| James D. Etherington | …. | visual effects: Double Negative (as James Etherington) | |
| Joe Eveleigh | …. | animator: effects and lighting artist, MPC | |
| Michele Fabbro | …. | CG lighting artist: Framestore-CFC | |
| Oliver Faldo | …. | 2D digital artist: Cinesite | |
| Nathan Fariss | …. | visual effects: The Orphanage | |
| James Farrington | …. | animator: Framestore CFC | |
| Conny Fauser | …. | digital artist: ILM | |
| Jonathan Fawkner | …. | compositor: Framestore-CFC | |
| Dan Feinstein | …. | rotoscope artist: ILM | |
| Ian Fellows | …. | compositor: Framestore-CFC | |
| Marco Fiorani Parenzi | …. | compositor: MPC | |
| Nathan Fleming | …. | technical support: ILM | |
| Niall Flinn | …. | animator: effects and lighting artist, MPC | |
| Lianne Forbes | …. | matchmover: Framestore-CFC | |
| Christian Foucher | …. | digital artist: ILM | |
| Evan Fraser | …. | visual effects: Double Negative | |
| Simon French | …. | matchmove and rotoscoping: MPC | |
| Simon French | …. | matchmover: Framestore-CFC | |
| Ian Frost | …. | CG lighting artist: Framestore-CFC | |
| Pawl Fulker | …. | supervising previsualisation artist | |
| Joe Fulmer | …. | model stage crew: ILM | |
| Leslie Fulton | …. | animator: ILM | |
| James Furlong | …. | visual effects: Double Negative | |
| Martin Gabriel | …. | visual effects producer: Cinesite | |
| William Gammon | …. | visual effects: Rising Sun Pictures | |
| Jason Geiger | …. | technical support: ILM | |
| Willi Geiger | …. | digital artist: ILM | |
| Mikael Genachte-Lebail | …. | visual effects: BUF (as Mikael Genachte-Le Bail) | |
| Angela Giannoni | …. | digital artist: ILM | |
| Rohit Gill | …. | visual effects: Double Negative | |
| Matthew Glen | …. | visual effects editor | |
| Julian Gnass | …. | compositor: MPC | |
| Steve Godfrey | …. | miniature crew: Cinesite | |
| Sally Goldberg | …. | 3D digital artist: Cinesite | |
| Ben Goldschmied | …. | miniature crew: Cinesite | |
| Richard Gomes | …. | animator: effects and lighting artist, MPC | |
| Lisa Gonzalez | …. | matchmove and rotoscoping: MPC | |
| Maria Goodale | …. | matchmover: ILM | |
| Tom Goodenough | …. | animator: effects and lighting artist, MPC | |
| Kyle Goodsell | …. | visual effects: Rising Sun Pictures | |
| David Gordon | …. | CG lighting artist: Framestore-CFC | |
| Adrian Graham | …. | visual effects: Double Negative | |
| Gavin Graham | …. | visual effects: Double Negative | |
| José Granell | …. | model unit supervisor: Cinesite | |
| Maria Granell | …. | miniature crew: Cinesite | |
| Miguel Granell | …. | miniature crew: Cinesite | |
| David M. Gray | …. | visual effects coordinator: ILM (as David Gray) | |
| Elysia Greening | …. | matchmove and rotoscoping: MPC | |
| Ronnie Green | …. | miniature crew: Cinesite | |
| Gavin Gregory | …. | visual effects: Double Negative | |
| Bryant Terrell Griffin | …. | matte painter: ILM (as Bryant Griffin) | |
| Pablo Grillo | …. | animation supervisor: Framestore CFC | |
| Pawel Grochola | …. | visual effects: Double Negative | |
| Jessica Groom | …. | matchmove and rotoscoping: MPC | |
| Branko Grujcic | …. | digital artist: ILM | |
| Ummi Gudjonsson | …. | visual effects: Double Negative | |
| Indira Guerrieri | …. | digital artist: ILM | |
| Alex Guri | …. | compositor: MPC | |
| Frederique Gyuran | …. | visual effects: BUF (as Frédérique Gyuran) | |
| Giles Hancock | …. | matte painting supervisor: ILM | |
| David Hanks | …. | matchmover: ILM (as Dave Hanks) | |
| Nicholas Hannah | …. | visual effects: Rising Sun Pictures | |
| Tony Hannington | …. | miniature crew: Cinesite | |
| Qian Han | …. | matchmove and rotoscoping: MPC | |
| John Hansen | …. | digital artist: ILM | |
| Pete Hanson | …. | visual effects: Double Negative | |
| John Hardwick | …. | compositor: Framestore-CFC | |
| Bruce Harris | …. | compositor: MPC | |
| Kit Harrison | …. | miniature crew: Cinesite | |
| Jeremy Hattingh | …. | visual effects: Double Negative | |
| Jack Haye | …. | co-modeller: ILM | |
| James Healy | …. | animator: effects and lighting artist, MPC | |
| Robert Hemmings | …. | animator: Framestore CFC | |
| Matthew Hendershot | …. | visual effects: The Orphanage | |
| Charley Henley | …. | supervisor: MPC | |
| Sandro Henriques | …. | 2D digital artist: Cinesite | |
| Guillaume Herent | …. | animator: Framestore CFC | |
| Geoff Heron | …. | senior special effects technician: ILM | |
| Alex Hessler | …. | technical support: Framestore-CFC | |
| Sean Heuston | …. | compositor: MPC | |
| Grant Hewlett | …. | 3D digital artist: Cinesite | |
| Jeremy Hey | …. | matchmove and rotoscoping: MPC | |
| Frederic Heymans | …. | matchmover: Framestore-CFC (as Frederic Haymans) | |
| Shawn Hillier | …. | digital artist: ILM | |
| David Hisanaga | …. | digital artist: ILM | |
| Charity Hobbs-Wood | …. | miniature crew: Cinesite | |
| Mark Hodgkins | …. | CG lighting artist: Framestore-CFC | |
| Julian Hodgson | …. | CG lighting artist: Framestore-CFC | |
| Henrik Hoffgaard | …. | visual effects: Double Negative | |
| Robert Hoffmeister | …. | digital artist: ILM | |
| Paul Hogbin | …. | visual effects: Double Negative | |
| Robin Hollander | …. | compositor: MPC | |
| Vlad Holst | …. | animator: effects and lighting artist, MPC | |
| Natalie Homewood | …. | 3D digital artist: Cinesite | |
| Garrett Honn | …. | compositor: Framestore-CFC | |
| Jason Horley | …. | matte painting supervisor: Framestore-CFC | |
| Uel Hormann | …. | supervisor: MPC | |
| Greg Horswill | …. | miniature crew: Cinesite | |
| Russell Horth | …. | compositor: MPC | |
| Jen Howard | …. | digital artist: ILM | |
| Greg Howe-Davies | …. | matchmove and rotoscoping: MPC | |
| Caroline Howes | …. | visual effects coordinator: Framestore CFC | |
| Roger Huang | …. | technical support: ILM | |
| Benjamin Huber | …. | matte painter: ILM (as Ben Huber) | |
| Matt Hughes | …. | CG lighting artist: Framestore-CFC (as Matthew Hughes) | |
| Nathan Hughes | …. | texture artist: Framestore-CFC | |
| Simon Hughes | …. | visual effects: Double Negative | |
| Antony Hunt | …. | model unit executive producer: Cinesite | |
| Peg Hunter | …. | digital artist: ILM | |
| Michael Illingworth | …. | 2D digital artist: Cinesite | |
| Claire Inglis | …. | visual effects: Double Negative | |
| Alex Ireland | …. | visual effects: Double Negative | |
| Graham Jack | …. | visual effects: Double Negative | |
| Gemma James | …. | visual effects producer: MPC | |
| Mike Jamieson | …. | digital artist: ILM | |
| Merrin Jensen | …. | visual effects producer: MPC | |
| Brad Jerrell | …. | model stage crew: ILM | |
| Keith Johnson | …. | animator: ILM | |
| Phil Johnson | …. | visual effects: Double Negative | |
| Bryan Jones | …. | visual effects: Rising Sun Pictures | |
| Edward Jones | …. | technical support: ILM (as Ed Jones) | |
| Theo Jones | …. | CG lighting artist: Framestore-CFC | |
| Pete Jopling | …. | visual effects: Double Negative | |
| Peter Joslin | …. | miniature crew: Cinesite | |
| Zoran Kacic-Alesic | …. | software development: ILM | |
| Ilyas Kaduji | …. | CG lighting artist: Framestore-CFC | |
| Barry Kane | …. | software/technical support: MPC | |
| Matt Kasmir | …. | 2D digital artist: Cinesite | |
| Matt Kasmir | …. | compositor: Framestore-CFC | |
| Dan Kelly | …. | 2D digital artist: Cinesite | |
| Paddy Kelly | …. | visual effects matchmove technician | |
| Archie Kennedy | …. | miniature crew: Cinesite | |
| Lee Kerley | …. | software/technical support: MPC | |
| John Kilshaw | …. | visual effects: Double Negative | |
| Andy Kind | …. | CG sequence supervisor: Framestore-CFC | |
| Chris King | …. | CG lighting artist: Framestore-CFC | |
| Balazs Kiss | …. | animator: effects and lighting artist, MPC | |
| Katrin Klaiber | …. | digital artist: ILM | |
| Edmund Kolloen | …. | CG lighting artist: Framestore-CFC | |
| Arek Komorowski | …. | matchmove and rotoscoping: MPC | |
| Dean Koonjul | …. | compositor: MPC | |
| Michael Koperwas | …. | digital artist: ILM | |
| Dan Kripac | …. | visual effects: Rising Sun Pictures | |
| Mark Kuggeleijn | …. | visual effects: Double Negative | |
| Ben Lambert | …. | CG lighting artist: Framestore-CFC | |
| François Lambert | …. | digital artist: ILM | |
| Serena Lam | …. | visual effects: Double Negative | |
| Jean-Claude Langer | …. | texture artist: ILM | |
| Jeroen Lapre | …. | digital artist: ILM (as Jeroen Lapré) | |
| Pedro Lara | …. | visual effects: Double Negative | |
| Colin Laski | …. | animator: effects and lighting artist, MPC | |
| Dan Lavender | …. | CG lighting artist: Framestore-CFC | |
| Nicola Lavender | …. | CG lighting artist: Framestore-CFC | |
| Chris Lawrence | …. | CG lighting artist: Framestore-CFC | |
| Jeremy Lazare | …. | animator: MPC | |
| Tracey Leadbetter | …. | visual effects: Double Negative | |
| Lenny Lee | …. | digital artist: ILM | |
| Paul Lee | …. | animator: Framestore CFC | |
| SungHun Lee | …. | digital artist: ILM (as Seunghun Lee) | |
| Grant Legassick | …. | compositor: MPC | |
| Bruno Lesieur | …. | 3D digital artist: Cinesite | |
| Joe Leveson | …. | matchmover: Framestore-CFC | |
| Gavin Lewis | …. | texture artist: Framestore-CFC | |
| James Lewis | …. | visual effects: Double Negative | |
| Gawain Liddiard | …. | visual effects: Double Negative | |
| Fredrik Limsater | …. | 3D digital artist: Cinesite (as Fredrik Limsäter) | |
| Joshua Livingston | …. | matchmover: ILM | |
| Patricia Llaguno | …. | compositor: Framestore-CFC | |
| Shelly Lloyd-James | …. | visual effects model unit production assistant: Warner Bros. | |
| Kim Loan-Do | …. | technical support: Framestore-CFC (as Kim Loan Do) | |
| Andrew Lockley | …. | visual effects: Double Negative | |
| Sarah Lockwood | …. | 2D digital artist: Cinesite | |
| Sarah Lockwood | …. | visual effects: Double Negative | |
| Thomas Loeder | …. | 2D digital artist: Cinesite | |
| David Lomax | …. | CG supervisor: Framestore CFC | |
| Roz Lowrie | …. | technical support: Framestore-CFC | |
| Patrick Lowry | …. | CG lighting artist: Framestore-CFC | |
| Sam Lucas | …. | 3D digital artist: Cinesite | |
| Steve Lynn | …. | visual effects: Double Negative | |
| Natalie MacDonald | …. | digital compositor: MPC | |
| Sean MacKenzie | …. | lead digital artist: ILM | |
| Jody Madden | …. | technical support: ILM | |
| Angela Magrath | …. | matchmove and rotoscoping: MPC | |
| Jay Mallet | …. | motion control: The VFX Co. Ltd. | |
| David Yiu Chung Man | …. | compositor: MPC | |
| Chris Mangnall | …. | CG lighting artist: Framestore-CFC (as Chris Magnall) | |
| Virgil Manning | …. | animator: ILM | |
| Tony Man | …. | compositor: MPC (as Tony Yiu Keung Man) | |
| Christian Manz | …. | compositing supervisor: FrameStore-CFC | |
| Alyson Markell | …. | co-modeller: ILM | |
| Tia L. Marshall | …. | digital artist: ILM (as Tia Marshall) | |
| Kevin Martel | …. | animator: ILM | |
| Tom Martinek | …. | lead digital artist: ILM | |
| Marcel Martinez | …. | digital artist: ILM | |
| Justin Martin | …. | CG sequence supervisor: Framestore-CFC | |
| Helena Masand | …. | visual effects: Double Negative | |
| Barth Maunoury | …. | animator: Framestore CFC | |
| David Mayhew | …. | matchmove and rotoscoping: MPC | |
| Luca Mazzoleni | …. | animator: Framestore CFC | |
| Phil McCabe | …. | visual effects: Double Negative | |
| Oliver McCluskey | …. | technical support: Framestore-CFC | |
| Ken McGaugh | …. | visual effects: Double Negative | |
| Les McGee | …. | miniature crew: Cinesite | |
| Steve McGee | …. | compositor: MPC | |
| Steve McGillen | …. | roto and paint artist | |
| Nakia McGlynn | …. | animator: effects and lighting artist, MPC (as Nakia Mcglynn) | |
| Nakia McGlynn | …. | lighting technical director: MPC | |
| Adam McInnes | …. | 2D digital artist: Cinesite | |
| James McKeown | …. | miniature crew: Cinesite | |
| Alasdair McNeill | …. | matchmove and rotoscoping: MPC | |
| Gurel Mehmet | …. | texture artist: Framestore-CFC | |
| Rebecca Melander | …. | texture artist: Framestore-CFC | |
| Ivan Mena | …. | visual effects: Double Negative (as Ivan Mena Tinoco) | |
| Rob Menzer | …. | miniature crew: Cinesite | |
| Craig Mepham | …. | animator: effects and lighting artist, MPC | |
| Tory Mercer | …. | digital artist: ILM | |
| Evonne Merlicek | …. | visual effects: Double Negative | |
| Christophe Meslin | …. | technical support: Framestore-CFC | |
| Stuart Messinger | …. | visual effects producer: MPC | |
| Adrian Metzelaar | …. | compositor: Framestore-CFC | |
| Ellie Meure | …. | compositor: Framestore-CFC | |
| Mark Michaels | …. | visual effects: Double Negative | |
| Ivor Middleton | …. | CG supervisor: Cinesite | |
| Nathan Middleton | …. | miniature crew: Cinesite | |
| Jon Miller | …. | 3D digital artist: Cinesite | |
| Alice Mitchell | …. | visual effects: Double Negative | |
| Jim Mitchell | …. | visual effects supervisor | |
| John Moffatt | …. | visual effects: Double Negative | |
| Terry Molatore | …. | lead texture artist: ILM | |
| Jack Mongovan | …. | rotoscope artist: ILM | |
| Ivan Moran | …. | compositing supervisor: FrameStore-CFC | |
| Rafael Morant | …. | animator: effects and lighting artist, MPC | |
| Fernanda Moreno | …. | 3D digital artist: Cinesite | |
| Karl Morgan | …. | miniature crew: Cinesite | |
| Saybian Morgan | …. | animator: effects and lighting artist, MPC | |
| Richard Morris | …. | animator: effects and lighting artist, MPC | |
| Michelle Motta | …. | rotoscope artist: ILM | |
| Duncan Mude | …. | miniature crew: Cinesite | |
| Catherine Mullan | …. | animator: Framestore CFC | |
| Colette Mullenhoff | …. | software development: ILM | |
| Melissa Mullin | …. | matchmover: ILM | |
| Norah Mulroney | …. | visual effects: Rising Sun Pictures | |
| John Murphy | …. | miniature crew: Cinesite | |
| Stephen Murphy | …. | CG lighting artist: Framestore-CFC | |
| Stephen Murphy | …. | animator: effects and lighting artist, MPC | |
| Alex Muth | …. | assistant visual effects editor: Framestore-CFC | |
| Tristan Myles | …. | visual effects: Double Negative | |
| Stephane Naze | …. | visual effects: BUF (as Stéphane Nazé) | |
| Dan Neal | …. | animator: effects and lighting artist, MPC | |
| Helen Nesbitt | …. | compositor: Framestore-CFC | |
| Roxanne Newsham | …. | animator: effects and lighting artist, MPC | |
| Geoff Newton | …. | miniature crew: Cinesite | |
| Steve Nichols | …. | animator: ILM | |
| Digna Nigoumi | …. | motion control: The VFX Co. Ltd. | |
| Clare Norman | …. | visual effects producer: Cinesite | |
| Paul Norris | …. | visual effects: Double Negative | |
| Emma Norton | …. | visual effects producer | |
| Rich Nosworthy | …. | animator: effects and lighting artist, MPC | |
| Tabitha O’Connell | …. | animator: Framestore CFC | |
| Kevin O’Connor | …. | matchmove and rotoscoping: MPC | |
| Cenay Oekmen | …. | animator: effects and lighting artist, MPC | |
| Artemis Oikonomopoulou | …. | 3D digital artist: Cinesite | |
| Alfie Olivier | …. | CG lighting artist: Framestore-CFC (as Alfred Olivier) | |
| Mike O’Neill | …. | CG lighting artist: Framestore-CFC | |
| Robert O’Neill | …. | CG lighting artist: Framestore-CFC | |
| Mark Osborne | …. | CG lighting artist: Framestore-CFC | |
| Kevin O’Sullivan | …. | visual effects: Double Negative | |
| James Ousley | …. | digital artist: IMAX DMR version | |
| Gruff Owen | …. | visual effects: Double Negative | |
| Matthew Packham | …. | compositor: MPC (as Matt Packham) | |
| Kevin Page | …. | matte painter: ILM | |
| Sona Pak | …. | visual effects editorial: Double Negative | |
| Erik Pampel | …. | technical support: ILM | |
| Michael Parkin | …. | miniature crew: Cinesite | |
| Thaddeus Parkinson | …. | technical support: ILM | |
| Jim Parsons | …. | 2D digital artist: Cinesite | |
| Martin Parsons | …. | visual effects: Double Negative | |
| Tom Partridge | …. | assistant visual effects editor: Framestore-CFC | |
| David Pearson | …. | model unit first assistant: Cinesite | |
| Tony Peck | …. | rotoscope artist: Framestore-CFC | |
| Arnaud Pecqueur | …. | digital matte painter: MPC | |
| Arnaud Pecqueur | …. | texture painter: MPC | |
| Claire Pegorier | …. | animator: effects and lighting artist, MPC | |
| Benoit Pelchat | …. | matte painter: ILM | |
| Craig Penn | …. | animator: Framestore CFC | |
| Porl Perrott | …. | animator: Framestore CFC | |
| Dan Perry | …. | technical support: Framestore-CFC | |
| Richard Perry | …. | previsualization artist | |
| Daniel Pettipher | …. | technical support: Cinesite (as Dan Pettipher) | |
| David Phillips | …. | compositor: MPC (as Dave Phillips) | |
| Adrian Pinder | …. | animator: effects and lighting artist, MPC | |
| Dan Piponi | …. | software development: ILM | |
| Jakub Pistecky | …. | animator: ILM | |
| Fred Place | …. | visual effects: Double Negative | |
| Ed Plant | …. | 2D digital artist: Cinesite | |
| Matthieu Poirey | …. | animator: Framestore CFC (as Mattieu Poiry) | |
| Melvin Polayah | …. | matchmover: Framestore-CFC | |
| Mike Pope | …. | 2D digital artist: Cinesite | |
| Travis Porter | …. | compositor: Framestore-CFC | |
| Tim Pounds-Cornish | …. | visual effects producer: MPC | |
| Glen Pratt | …. | compositor: MPC | |
| Alex Prichard | …. | visual effects: The Orphanage | |
| Andrew Proctor | …. | miniature crew: Cinesite (as Andy Proctor) | |
| Olivier Pron | …. | visual effects: BUF | |
| Cristina Puente | …. | compositor: Framestore-CFC | |
| Stefan Putz | …. | technical support: Framestore-CFC | |
| Sirio Quintavalle | …. | compositor: Framestore-CFC | |
| Farhan Qureshi | …. | matchmove and rotoscoping: MPC | |
| Samy Ben Rabah | …. | CG lighting artist: Framestore-CFC | |
| Charlotte Raffi | …. | visual effects: BUF | |
| Guillaume Raffi | …. | visual effects: BUF | |
| Anthony Randolph | …. | technical support: ILM | |
| Nick Rasmussen | …. | software development: ILM | |
| Andrew Rawling | …. | CG sequence supervisor: Framestore-CFC | |
| Steve Rawlins | …. | animation supervisor: Dragon, Ship and World Cup, ILM | |
| Tom Reed | …. | CG modeller & character rigging: MPC | |
| Max Rees | …. | visual effects: Double Negative | |
| Sandra Reis | …. | visual effects: Double Negative | |
| Mark Richardson | …. | compositor: MPC | |
| Paul Riddle | …. | visual effects: Double Negative | |
| Laurent-Paul Robert | …. | visual effects: Double Negative | |
| John Roberts-Cox | …. | 3D digital artist: Cinesite | |
| James Roberts | …. | visual effects: Double Negative | |
| Katherine Roberts | …. | visual effects: Double Negative | |
| Andy Robinson | …. | senior compositor: Cinesite | |
| Dave Robinson | …. | technical support: Framestore-CFC | |
| Guillaume Rocheron | …. | animator: effects and lighting artist, MPC | |
| Darren Rodriguez | …. | animator: Framestore CFC | |
| Elsa Rodriguez | …. | rotoscope artist: ILM | |
| In-Ah Roediger | …. | animator: Framestore CFC | |
| Adam Rogers | …. | miniature crew: Cinesite | |
| John Rogers | …. | gaffer: Cinesite | |
| Amanda Ronai-Dahle | …. | digital artist: ILM (as Amanda Ronai) | |
| Patric Roos | …. | animator: effects and lighting artist, MPC | |
| Susan Ross | …. | texture artist: ILM | |
| Jonathan Rothbart | …. | visual effects: The Orphanage | |
| Andrew Russell | …. | technical support: ILM | |
| Jesse Russell | …. | visual effects: The Orphanage | |
| Alex Rutherford | …. | miniature crew: Cinesite | |
| Pedro Sabrosa | …. | compositing supervisor: FrameStore-CFC | |
| Marc Sadeghi | …. | visual effects: The Orphanage | |
| Lucas Salton | …. | visual effects: BUF | |
| Gustavo Sanchez-Perez | …. | 3D digital artist: Cinesite (as Gustavo Sánchez-Pérez) | |
| Steve J. Sanchez | …. | compositor: MPC (as Steve J Sanchez) | |
| Mike Sanders | …. | technical support: ILM | |
| Bob Santos | …. | technical support: ILM | |
| Elsa Santos | …. | texture artist: Framestore-CFC | |
| Steve Sauers | …. | digital artist: ILM | |
| Alexander Savenko | …. | 3D digital artist: Cinesite | |
| Cal Sawyer | …. | technical support: Framestore-CFC | |
| Jeremy Sawyer | …. | rotoscope artist: Framestore-CFC | |
| Robin Saxen | …. | CG producer: Framestore-CFC | |
| Carlo Scaduto | …. | 2D digital artist: Cinesite | |
| Claude Schitter | …. | animator: effects and lighting artist, MPC | |
| Eduardo ‘Lalo’ Schmidek | …. | animator: effects and lighting artist, MPC (as Eduardo Schmidek) | |
| Frederic Schmidt | …. | digital artist: ILM | |
| Jakob Schmidt | …. | visual effects: Double Negative | |
| Philip Schneider | …. | software development: ILM | |
| Alex Schott | …. | animator: effects and lighting artist, MPC | |
| Michele Sciolette | …. | 2D digital artist: Cinesite | |
| Denis Scolan | …. | 2D digital artist: Cinesite | |
| David Scott | …. | visual effects: Double Negative | |
| Alexander Seaman | …. | animator: effects and lighting artist, MPC (as Alex Seaman) | |
| Jerry Sells | …. | digital artist: ILM | |
| Foad Shah | …. | visual effects: Double Negative | |
| John Sharp | …. | compositor: Framestore-CFC | |
| Chris Shaw | …. | motion control supervisor | |
| Matthew Shaw | …. | visual effects: Double Negative | |
| Ben Shepherd | …. | visual effects supervisor: MPC | |
| Tomoko Shin | …. | compositor: MPC (as Jisook Tomoko Shin) | |
| David Short | …. | CG lighting artist: Framestore-CFC | |
| Benson Shum | …. | animator: effects and lighting artist, MPC | |
| Dominic Sidoli | …. | visual effects: Double Negative | |
| John Sigurdson | …. | digital artist: ILM | |
| Serdar Simga | …. | digital matte painter: MPC | |
| Serdar Simga | …. | texture painter: MPC | |
| John Slattery | …. | compositor: Framestore-CFC | |
| Alex Smith | …. | 2D digital artist: Cinesite | |
| Colin Smith | …. | miniature crew: Cinesite | |
| Jason Smith | …. | digital artist: ILM | |
| Ryan Smith | …. | technical support: ILM | |
| Wayne Smith | …. | assistant visual effects editor | |
| Douglas Smythe | …. | CG supervisor: ILM (as Doug Smythe) | |
| Sharonne Solk | …. | animator: ILM | |
| Max Solomon | …. | animation supervisor: Framestore-CFC | |
| Cameron Sonerson | …. | visual effects: Rising Sun Pictures | |
| Jamshed Soori | …. | animator: effects and lighting artist, MPC | |
| Sarah Soulsby | …. | compositor: MPC | |
| Kevin Sprout | …. | digital artist: ILM | |
| Richard Stammers | …. | additional visual effects supervisor | |
| Simon Stanley-Clamp | …. | visual effects supervisor: Cinesite | |
| Jon Stanley | …. | technical support: Framestore-CFC | |
| Jim Steel | …. | visual effects: Double Negative | |
| Marc Stevenson | …. | 3D digital artist: Cinesite | |
| Penn Stevens | …. | animator: effects and lighting artist, MPC | |
| Nigel Stone | …. | director of photography: Cinesite | |
| Barny Stoppard | …. | 2D digital artist: Cinesite | |
| Julien Stuart-Smith | …. | animator: effects and lighting artist, MPC | |
| David Sudd | …. | matchmove and rotoscoping: MPC | |
| Robert Sullivan | …. | video operations supervisor: Animal Logic | |
| Pat Sweeney | …. | director of photography: model unit, ILM (as Patrick Sweeney) | |
| Christopher Sweet | …. | visual effects: Double Negative (as Chris Sweet) | |
| David Swift | …. | digital matte painter: MPC | |
| David Swift | …. | texture painter: MPC | |
| Nick Symons | …. | visual effects: Double Negative | |
| Giuseppe Tagliavini | …. | matchmove and rotoscoping: MPC | |
| Henri Tan | …. | technical support: ILM | |
| Masahiko Tani | …. | matte painter: ILM | |
| Ben Taylor | …. | visual effects: Double Negative | |
| Mike Terpstra | …. | visual effects: The Orphanage | |
| Bill Thomas | …. | miniature crew: Cinesite | |
| Christopher Thomas | …. | animator: effects and lighting artist, MPC (as Chris Thomas) | |
| Gemma Thompson | …. | visual effects producer: MPC | |
| Zelda Tinska | …. | visual effects: Double Negative | |
| Steve Tizzard | …. | compositor: MPC | |
| Jan Toensmann | …. | compositor: Framestore-CFC | |
| Mathilde Tollec | …. | visual effects: BUF | |
| Gavin Toomey | …. | compositor: Framestore-CFC | |
| Sanju Travis | …. | 2D digital artist: Cinesite | |
| Nigel Trevessey | …. | model workshop supervisor: Cinesite | |
| Pat Tubach | …. | compositing supervisor: ILM (as Patrick Tubach) | |
| Mark Tudor-Williams | …. | matchmove supervisor: Framestore-CFC | |
| Liam Tully | …. | visual effects: Double Negative | |
| James Turner | …. | software/technical support: MPC | |
| Matthew Twyford | …. | compositor: Framestore-CFC | |
| Yusei Uesugi | …. | matte painter: ILM | |
| Johan Van Den Dorpe | …. | technical support: Framestore-CFC | |
| Gert Van Dermeersch | …. | 2D digital artist: Cinesite (as Gert Van Der Meersch) | |
| Todd Vaziri | …. | digital artist: ILM | |
| David Vickery | …. | visual effects: Double Negative | |
| Lars Vinther | …. | visual effects editor: Framestore-CFC | |
| Tim Waddy | …. | animator: ILM | |
| Victor Wade | …. | visual effects: Double Negative | |
| Niki Wakefield | …. | visual effects: Double Negative | |
| John Walker | …. | digital artist: ILM | |
| Jo Walls | …. | animator: effects and lighting artist, MPC | |
| Karen Wand | …. | 2D digital artist: Cinesite | |
| Ian Ward | …. | animator: effects and lighting artist, MPC | |
| Sharon Warmington | …. | visual effects: Double Negative (as Sharon Peng) | |
| Neil Weatherley | …. | CG lighting artist: Framestore-CFC | |
| Robert Weaver | …. | computer graphics supervisor: ILM | |
| Timothy Webber | …. | visual effects supervisor: Framestore CFC (as Tim Webber) | |
| Danny Webster | …. | hod rigger: Cinesite | |
| Toby White | …. | visual effects matchmove technician | |
| James Whitlam | …. | visual effects: Rising Sun Pictures | |
| Julia Wigginton | …. | visual effects producer: MPC | |
| Andrew Wilkin | …. | previsualisation artist | |
| Royston Willcocks | …. | 3D digital artist: Cinesite | |
| Stephen Willey | …. | technical support: Framestore-CFC | |
| Barry Williams | …. | lead matte artist: ILM | |
| Guy Williams | …. | visual effects: Double Negative | |
| Jason Williams | …. | animator: effects and lighting artist, MPC | |
| Ronnie E. Williams Jr. | …. | digital artist: ILM (as Ronnie Williams Jr.) | |
| Mark Williams | …. | animator: effects and lighting artist, MPC | |
| Dan Wills | …. | visual effects: Rising Sun Pictures | |
| Jonathan Wills | …. | animator: effects and lighting artist, MPC | |
| Corrina Wilson | …. | compositor: Framestore-CFC | |
| Kate Windibank | …. | compositor: Framestore-CFC | |
| Carrie Wolberg | …. | technical support: ILM | |
| Christine Wong | …. | compositor: Framestore-CFC | |
| Christine Wong | …. | compositor: MPC | |
| Eric Wong | …. | character rigging supervisor: ILM | |
| Daniel Wood | …. | visual effects: Double Negative (as Dan Wood) | |
| Melody Woodford | …. | matchmove and rotoscoping: MPC | |
| Helen Wood | …. | visual effects: Double Negative | |
| Jennifer Wood | …. | visual effects: Double Negative | |
| Lisa Woodland | …. | visual effects: Double Negative | |
| Max Wood | …. | CG modeller & character rigging: MPC | |
| Malcolm Woolridge | …. | motion control: The VFX Co. Ltd. (as Malcolm Wooldridge) | |
| Ged Wright | …. | visual effects: Double Negative | |
| Kristopher Wright | …. | technical support: ILM | |
| Tiffany Wu | …. | visual effects: The Orphanage | |
| Richard Yeomans | …. | visual effects coordinator | |
| Jeffery Yost | …. | software development: ILM (as Jeffrey Yost) | |
| Robin D. Young | …. | technical support: ILM (as Robin Young) | |
| Trevor Young | …. | visual effects: Double Negative | |
| Scott Younkin | …. | digital artist: ILM | |
| Christian Zeh | …. | compositor: Framestore-CFC | |
| Matthias Zeller | …. | CG lighting artist: Framestore-CFC | |
| Patrick Zentis | …. | digital matte painter: Cinesite | |
| Anthony Zwartouw | …. | previsualization assistant editor | |
| Christopher Abeyta | …. | production accountant: The Orphanage (uncredited) | |
| Andreas Adamek | …. | matte painter (uncredited) | |
| Deepa Agarwal | …. | rotoscope artist: The Orphanage (uncredited) | |
| Jance Allen | …. | compositor: The Orphanage (uncredited) | |
| Jerry Andrews | …. | motion control operator (uncredited) | |
| Chris Armsden | …. | render wrangler: MPC (uncredited) | |
| Vaughn Arnup | …. | digital compositor (uncredited) | |
| Andrew Baggarley | …. | data wrangler (uncredited) | |
| Mauricio Baiocchi | …. | animation supervisor: The Orphanage (uncredited) | |
| Mark Barber | …. | digital compositor (uncredited) | |
| Robert Barker | …. | systems engineer: The Orphanage (uncredited) | |
| Judy Barr | …. | roto/prep artist (uncredited) | |
| Keith Barton | …. | production support: Cinesite (uncredited) | |
| Tim Baxter | …. | film recording: Capital FX (uncredited) | |
| Oliver Shyal Beardsley | …. | research & development (uncredited) | |
| Kieran Belshaw | …. | digital film recordist (uncredited) | |
| Paul Birkett | …. | digital rotoscope artist (uncredited) | |
| Robert Bloom | …. | IMAX DMR supervisor (uncredited) | |
| Robert Bloom | …. | senior digital artist (uncredited) | |
| Katherine Bouglai | …. | digital artist: The Orphanage (uncredited) | |
| Jon R. Brown | …. | shoot matchmover: dailies (uncredited) | |
| Nik Brownlee | …. | digital artist: Double Negative (uncredited) | |
| Andrew Bunday | …. | render wrangler: MPC (uncredited) | |
| Delphine Buratti | …. | compositor (uncredited) | |
| Mario Capellari | …. | sequence supervisor (uncredited) | |
| Jon Capleton | …. | matchmove artist (uncredited) | |
| Carrie Cassada | …. | visual effects editor: The Orphanage (uncredited) | |
| Scott Chambers | …. | digital compositor (uncredited) | |
| Lee Chidwick | …. | digital I/O (uncredited) | |
| Jeremy Cho | …. | rotoscope artist (uncredited) | |
| YouJin Choung | …. | compositor: The Orphanage (uncredited) | |
| Brendan Coffey | …. | systems engineer: The Orphanage (uncredited) | |
| Chryssa Cooke | …. | resource manager: The Orphanage (uncredited) | |
| Alfonso Cottier | …. | matchmove artist (uncredited) | |
| Charles Darby | …. | matte paintings (uncredited) | |
| Luan Davis | …. | roto/prep artist: MPC (uncredited) | |
| Martin R. Davison | …. | digital compositor (uncredited) | |
| Peter Demarest | …. | paint/rotoscope artist (uncredited) | |
| Tim Dobbert | …. | matchmove supervisor: The Orphanage (uncredited) | |
| Martyn Drake | …. | systems: MPC (uncredited) | |
| David S. Dranitzke | …. | visual effects producer: The Orphanage (uncredited) | |
| Paul Driver | …. | data operative (uncredited) | |
| Rama Dunayevich | …. | publicist: The Orphanage (uncredited) | |
| Greg Dunn | …. | systems engineer: The Orphanage (uncredited) | |
| Jonathan East | …. | render wrangler: Cinesite (uncredited) | |
| James Eggleton | …. | digital I/O: Cinesite (uncredited) | |
| Michael Elson | …. | head of production: MPC (uncredited) | |
| Trina Espinoza | …. | digital operations coordinator: The Orphanage (uncredited) | |
| Raul Essig | …. | digital effects artist (uncredited) | |
| Daniel Evans | …. | shader writer: Double Negative (uncredited) | |
| Simon Eves | …. | head of software: The Orphanage (uncredited) | |
| Anna Ford | …. | bidding coordinator: Cinesite (uncredited) | |
| Steven Forrester | …. | additional visual effects editor: Framestore CFC (uncredited) | |
| Grant Freckelton | …. | visual effects designer: Animal Logic (uncredited) | |
| David Gladstein | …. | resource technical assistant: The Orphanage (uncredited) | |
| Daniel Gloates | …. | senior staff: The Orphanage (uncredited) | |
| Peter Godden | …. | digital artist: Cinesite (uncredited) | |
| Julien Goldsbrough | …. | compositor (uncredited) | |
| Rainer Gombos | …. | digital artist: The Orphanage (uncredited) | |
| Lewis Guarniere | …. | data wrangler: MPC (uncredited) | |
| Andy Hague | …. | visual effects editorial (uncredited) | |
| Anne Hall | …. | lighting technical director (uncredited) | |
| Jonathan Harman | …. | compositor: The Orphanage (uncredited) | |
| Michael Harrison | …. | digital compositor (uncredited) | |
| Trevor Hazel | …. | rotoscope artist: The Orphanage (uncredited) | |
| Lionel Heath | …. | roto/prep: MPC (uncredited) | |
| Marcus Hindborg | …. | digital artist: MPC (uncredited) | |
| Kay Hoddy | …. | roto/prep artist (uncredited) | |
| Andrew Hogden | …. | data operator (uncredited) | |
| Robert Holder | …. | technical director: Framestore CFC (uncredited) | |
| Pete Howlett | …. | roto/prep artist (uncredited) | |
| Jessica Hsieh | …. | rotoscope artist: The Orphanage (uncredited) | |
| Tony Hurd | …. | production operations manager: The Orphanage (uncredited) | |
| Zoe Izzard | …. | data operator (uncredited) | |
| Zoe Izzard | …. | digital film recordist (uncredited) | |
| Suzanne Jandu | …. | digital compositor (uncredited) | |
| Sarahjane Javelo | …. | rotoscope artist: The Orphanage (uncredited) | |
| Steve Jaworski | …. | compositor: The Orphanage (uncredited) | |
| Kevin Jenkins | …. | creature texture painter (uncredited) | |
| Joshua H. Johnson | …. | rotoscope artist: The Orphanage (uncredited) | |
| Lorraine Johnson | …. | scanning and recording supervisor: Cinesite (uncredited) | |
| Simon Johnson | …. | scanning and recording operator: Cinesite (uncredited) | |
| Rafal Kaniewski | …. | digital compositor: Motion Graphics (uncredited) | |
| Dan Kelly | …. | Inferno artist (uncredited) | |
| Simon David Kenny | …. | visual effects production assistant: Warner Brothers (uncredited) | |
| Christopher Kerr | …. | data operator (uncredited) | |
| Mina Kim | …. | rotoscope artist: The Orphanage (uncredited) | |
| Perry M. Kimura | …. | digital film scanning and recording: EFILM (uncredited) | |
| Ryan Knowles | …. | data operator (uncredited) | |
| Heath Kraynak | …. | visual effects production assistant: The Orphanage (uncredited) | |
| SangHun Kwon | …. | digital artist: The Orphanage (uncredited) | |
| David Huynh Lam | …. | resource technical assistant: The Orphanage (uncredited) | |
| Ivan Landau | …. | visual effects editor: The Orphanage (uncredited) | |
| Debbie Langford | …. | matchmove artist: MPC (uncredited) | |
| Dan Lavender | …. | technical director: Framestore CFC (uncredited) | |
| Christopher Learmonth | …. | visual effects editor: Cinesite (uncredited) | |
| SeungHun Lee | …. | creature technical director: ILM (uncredited) | |
| Woei Lee | …. | compositor: The Orphanage (uncredited) | |
| Sebastien Le Neve | …. | digital artist: BUF (uncredited) | |
| Phillip Leonhardt | …. | digital compositor (uncredited) | |
| Luke Letkey | …. | digital compositor (uncredited) | |
| Simon Lewis | …. | digital artist (uncredited) | |
| Bryan Litson | …. | match move technician: MPC (uncredited) | |
| David Lloyd | …. | render engineer: MPC (uncredited) | |
| Ting Lo | …. | matchmove artist: The Orphanage (uncredited) | |
| Hugh Macdonald | …. | digital compositor: MPC (uncredited) | |
| Kevin Mains | …. | resource technical assistant: The Orphanage (uncredited) | |
| Stuart T. Maschwitz | …. | senior staff: The Orphanage (uncredited) | |
| Elizabeth Matthews | …. | rotoscope artist: The Orphanage (uncredited) | |
| Jolene McCaffrey | …. | digital compositor: MPC (uncredited) | |
| Jan Meade | …. | projectionist: Cinesite (uncredited) | |
| Justin Mettam | …. | digital artist: The Orphanage (uncredited) | |
| Kirsty Millar | …. | visual effects supervisor: Animal Logic (uncredited) | |
| Ray Moody | …. | motion control operator (uncredited) | |
| Danielle Nadal | …. | digital I/O (uncredited) | |
| Stuart Nelhams | …. | visual effects film editorial: MPC (uncredited) | |
| Elliot Newman | …. | digital artist (uncredited) | |
| Natalie Nolan | …. | compositor: The Orphanage (uncredited) | |
| Luke O’Byrne | …. | visual effects executive producer: The Orphanage (uncredited) | |
| Michael Oregon | …. | systems engineer: The Orphanage (uncredited) | |
| Ellery Ortiz | …. | matchmove artist: The Orphanage (uncredited) | |
| Michael Pangrazio | …. | matte painter: The Orphanage (uncredited) | |
| Ingrid Parkes | …. | creature effects trainee (uncredited) | |
| Stuart Partridge | …. | senior compositor (uncredited) | |
| Eric Pascarelli | …. | visual effects set supervisor: second unit, Scotland (uncredited) | |
| Simon Payne | …. | technical director (uncredited) | |
| Peter Pelisek | …. | senior DMR artist: IMAX (uncredited) | |
| Venetia Penna | …. | scanning and recording operator: Cinesite (uncredited) | |
| David Petry | …. | matchmove artist: The Orphanage (uncredited) | |
| Daniel Pettipher | …. | production manager: Cinesite (uncredited) | |
| Stuart Pitcher | …. | visual effects supervisor (uncredited) | |
| Henriette Plum | …. | animation/matchmove artist (uncredited) | |
| Murray Pope | …. | visual effects executive producer (uncredited) | |
| Tristan Porter | …. | roto/prep artist: MPC (uncredited) | |
| Paul Raeburn | …. | digital compositor: Rising Sun Pictures (uncredited) | |
| Pavani Rao | …. | matchmove artist: The Orphanage (uncredited) | |
| Farhez Rayani | …. | visual effects technical director: Rising Sun Pictures (uncredited) | |
| Aaron Rhodes | …. | rotoscope supervisor: The Orphanage (uncredited) | |
| Rob Richardson | …. | render support (uncredited) | |
| Michael Ridgwell | …. | digital artist (uncredited) | |
| Martin Riedel | …. | digital compositor: MPC (uncredited) | |
| Tim Riley | …. | digital effects artist: MPC (uncredited) | |
| D. Eric Robinson | …. | DMR artist: Imax (uncredited) | |
| Guillaume Rocheron | …. | pre-production computer graphics supervisor: BUF (uncredited) | |
| Dennis Rogers | …. | first assistant cameraman: ILM (uncredited) | |
| Rajat Roy | …. | digital compositor (uncredited) | |
| James Russell | …. | digital compositor: MPC (uncredited) | |
| David Scott | …. | concept artist: Rising Sun Pictures (uncredited) | |
| Stan Seo | …. | digital artist: The Orphanage (uncredited) | |
| Gaël Seydoux | …. | digital artist: Double Negative (uncredited) | |
| Dong Yeop Shin | …. | digital artist: The Orphanage (uncredited) | |
| Emmanuel Shiu | …. | matte painter: The Orphanage (uncredited) | |
| Mark Siew | …. | matchmove artist: The Orphanage (uncredited) | |
| Marc Smith | …. | laser scanning (uncredited) | |
| Sarah Louise Smith | …. | visual effects production assistant: Warner Brothers (uncredited) | |
| Carsten Sørensen | …. | senior staff: The Orphanage (uncredited) | |
| David Stern-Gottfried | …. | resource technical assistant: The Orphanage (uncredited) | |
| Scott Charles Stewart | …. | senior staff: The Orphanage (uncredited) | |
| Rangi Sutton | …. | visual effects (uncredited) | |
| Geordie Swainbank | …. | compositor: The Orphanage (uncredited) | |
| Martin Tardif | …. | lighting technical director (uncredited) | |
| Scott Taylor | …. | digital artist: MPC (uncredited) | |
| Tim Teramoto | …. | digital artist: The Orphanage (uncredited) | |
| Dino Tomelden | …. | systems engineer: The Orphanage (uncredited) | |
| Trevor Tuttle | …. | rotoscope artist: The Orphanage (uncredited) | |
| Miquel Ubeda | …. | digtial compositor: MPC London (uncredited) | |
| Kristi Valk | …. | matte painter: The Orphanage (uncredited) | |
| Brent Villalobos | …. | resource technical assistant: The Orphanage (uncredited) | |
| Eugénie von Tunzelmann | …. | effects animator: Double Negative (uncredited) | |
| Tara Walker | …. | digital artist (uncredited) | |
| Carl Walters | …. | editorial supervisor: The Orphanage (uncredited) | |
| Ian Watson | …. | matchmover (uncredited) | |
| Roland Watson | …. | digital resources manager: MPC (uncredited) | |
| Ollie Weigall | …. | film assistant (uncredited) | |
| Rus Wetherell | …. | visual effects coordinator: CFX (uncredited) | |
| Andrew Whitehurst | …. | technical director: Framestore-CFC (uncredited) | |
| Jeff Willette | …. | digital artist: The Orphanage (uncredited) | |
| Chris Wilson | …. | render wrangler: MPC (uncredited) | |
| Oliver Winwood | …. | data wrangler: MPC (uncredited) | |
| Kathy Wise | …. | digital systems manager (uncredited) | |
| Jeremy Yabrow | …. | ATD manager: The Orphanage (uncredited) | |
| Anna Yamazoe | …. | render wrangler: Cinesite (uncredited) | |
| Matthias Zeller | …. | technical director (uncredited) | |
Stunts |
|||
| Lucy Allen | …. | stunts | |
| Tom Barry | …. | stunts | |
| Martin Bayfield | …. | stunts | |
| Bruce Cain | …. | stunts | |
| Nick Chopping | …. | stunts | |
| Sophie Clarke | …. | stunts | |
| George Cottle | …. | stunts | |
| Kelly Dent | …. | stunts | |
| Jack Duhig | …. | stunts | |
| Poppy Emuss | …. | stunts | |
| Bradley Farmer | …. | stunts | |
| Dave Fisher | …. | stunts | |
| Paul Herbert | …. | stunts | |
| David Holmes | …. | stunts | |
| Rickie Hubbucks | …. | stunts | |
| Rowley Irlam | …. | stunts | |
| Tolga Kenan | …. | stunts | |
| Paul Kennington | …. | stunts | |
| Anthony Knight | …. | stunts | |
| Ellen Lister | …. | stunts | |
| Guy List | …. | stunts | |
| Marc Mailley | …. | stunts | |
| Ryan Newberry | …. | stunts | |
| Greg Powell | …. | stunt coordinator | |
| Dominic Precce | …. | stunts (as Dominic Preece) | |
| Gordon Seed | …. | stunts | |
| Ian Whyte | …. | stunts | |
| Len Woodcock | …. | stunts (as Lenny Woodcock) | |
| Rick English | …. | stunt performer (uncredited) | |
| Dean Forster | …. | stunts (uncredited) | |
| Amanda Foster | …. | stunt performer (uncredited) | |
| James O’Donnell | …. | stunts (uncredited) | |
| Peter Pedrero | …. | stunt performer (uncredited) | |
| Kevin Welch | …. | stunt rigger (uncredited) | |
| Joanna Whitney | …. | stunt double (uncredited) | |
Camera and Electrical Department |
|||
| David Appleby | …. | key grip (as Dave Appleby) | |
| Marc Atherfold | …. | second assistant camera: second unit | |
| Lawrence Bewsher | …. | underwater camera technician: second unit | |
| Sam Bloor | …. | grip electrician | |
| Dan Blundy | …. | crane technician: second unit | |
| Dave Brennan | …. | grip electrician | |
| Mike Brewster | …. | director of photography: second unit | |
| Bob Bridges | …. | video assist coordinator | |
| Stuart Bridges | …. | video operator | |
| Bob Brock | …. | grip electrician (as Rob Brock) | |
| Jason Bulley | …. | underwater camera operator: second unit | |
| Andy Challis | …. | grip electrician | |
| Murray Close | …. | still photographer | |
| Ken Coles | …. | camera operator: “c” camera, second unit | |
| Sean Connor | …. | underwater focus puller: second unit | |
| Trevor Coop | …. | camera operator: “b” camera | |
| Joel Corby | …. | second assistant camera: second unit | |
| Luke Coulter | …. | second assistant camera: second unit | |
| Jim Crowther | …. | grip | |
| Adam Dale | …. | aerial camera operator: second unit | |
| Ted Deason | …. | first assistant camera: second unit | |
| Graham Driscoll | …. | lighting programmer (as Graham Driscol) | |
| Andy Duncan | …. | grip electrician: second unit | |
| Paul Edwards | …. | Steadicam operator: second unit | |
| Mark Evans | …. | grip electrician | |
| John Ferguson | …. | first assistant camera: second unit | |
| Stephen Finch | …. | lighting coordinator | |
| Sascha Garcia | …. | grip electrician | |
| Peter Goddard | …. | gaffer: second unit | |
| Wayne Goddard | …. | grip electrician: second unit | |
| Dan Hartley | …. | video operator: second unit | |
| Colin Hazell | …. | crane technician: second unit | |
| Alice Hobden | …. | underwater camera operator: second unit | |
| Darren Holland | …. | key grip: “a” camera, second unit | |
| Lewis Hume | …. | second assistant camera | |
| Simon Hume | …. | first assistant camera | |
| Bob Johnson | …. | grip electrician: second unit | |
| Sacha Jones | …. | second assistant camera | |
| Mark Keeling | …. | grip electrician: second unit | |
| Pip Keeling | …. | grip electrician: second unit | |
| Lee Kemble | …. | crane technician: second unit | |
| Ben Knight | …. | grip electrician: second unit | |
| Jamie Knight | …. | grip electrician: second unit | |
| Lee Knight | …. | grip electrician: second unit | |
| Jim Knox | …. | grip electrician | |
| Mark Laidlaw | …. | grip electrician | |
| Martin Lewis | …. | second assistant camera: second unit | |
| Jim Lloyd | …. | grip electrician | |
| Danny Madden | …. | grip electrician: second unit | |
| Graham Martyr | …. | first assistant camera | |
| Matt McDonald | …. | assistant video operator: second unit | |
| Billy Merrell | …. | best boy (as Bill Merrell) | |
| Simon Mills | …. | underwater focus puller: second unit | |
| Nic Milner | …. | camera operator: “a” camera, second unit | |
| Dean Morris | …. | camera grip: “c” camera, second unit | |
| Phil Murray | …. | grip | |
| Patrick O’Flynn | …. | grip electrician (as Pat O’Flynn) | |
| Robert Palmer | …. | first assistant camera | |
| Scott Parker | …. | grip electrician | |
| Nigel Permane | …. | underwater focus puller: second unit | |
| Steve Petrie | …. | underwater video assist: second unit | |
| Tim Phillips | …. | second assistant camera | |
| Bernie Prentice | …. | grip electrician: second unit (as Bernie Prentice Sr.) | |
| Geoff Reid | …. | grip electrician | |
| Sam Renton | …. | second assistant camera | |
| Dave Ridout | …. | rigging gaffer | |
| David Rist | …. | camera grip: “b” camera, second unit (as Dave Rist) | |
| Adam Samuelson | …. | crane technician grip | |
| Danny Shelmerdine | …. | first assistant camera: second unit | |
| Tony Skinner | …. | grip electrician | |
| Ross Slater | …. | grip electrician | |
| Mario Spanna | …. | crane technician: second unit | |
| Gary Spratling | …. | camera operator: “b” camera | |
| Stefan Stankowski | …. | camera operator: “b” camera, second unit | |
| Peter Taylor | …. | camera operator: “a” camera | |
| Elliot Thomas | …. | grip electrician (as Elliott Thomas) | |
| Alf Tramontin | …. | Steadicam operator | |
| Dan Travers | …. | grip electrician: second unit | |
| John Turner | …. | grip electrician: second unit | |
| Derek Walker | …. | Steadicam operator: second unit | |
| Al Watson | …. | grip electrician | |
| Michael White | …. | grip electrician | |
| Tom Wilkinson | …. | second assistant camera: second unit | |
| Lawrence Winter | …. | crane technician: second unit | |
| Paul Wood | …. | grip electrician | |
| Steve Wood | …. | grip electrician | |
| Sarah Woodward | …. | second assistant camera | |
| Tim Wooster | …. | underwater camera operator: second unit | |
| David Armstrong | …. | trainee grip (uncredited) | |
| Chris Clarke | …. | additional second assistant camera: second unit (uncredited) | |
| Jason Coop | …. | daily second assistant camera (uncredited) | |
| Andy Edridge | …. | additional grip: second unit (uncredited) | |
| Danny Espey | …. | electrician (uncredited) | |
| Mike Evans | …. | additional first assistant camera: second unit (uncredited) | |
| Chuck Finch | …. | gaffer (uncredited) | |
| Clement Gharini | …. | camera operator: flying camera (uncredited) | |
| Kenny Groom | …. | additional first assistant camera: second unit (uncredited) | |
| Alan Hall | …. | additional second assistant camera: second unit (uncredited) | |
| Oliver Loncraine | …. | additional first assistant camera: second unit (uncredited) | |
| Richard Merrell | …. | electrician (uncredited) | |
| Jamie Mills | …. | electrician (uncredited) | |
| Gareth Munden | …. | still photographer (uncredited) | |
| Ben Pendrey | …. | camera trainee (uncredited) | |
| Richard B. Shean | …. | video assistant (uncredited) | |
| David Taylor | …. | electrician (uncredited) | |
| Robie Uniacke | …. | camera trainee (uncredited) | |
| J. Glyn Williams | …. | first assistant camera: aerial unit (uncredited) | |
| Charlie Woodburn | …. | first assistant camera: aerial unit (uncredited) | |
Casting Department |
|||
| Shaheen Baig | …. | regional casting | |
| Tammy Kempinski | …. | casting assistant | |
| Victor Bojinov | …. | casting: Bulgaria (uncredited) | |
| Catrin Cooper | …. | casting assistant (uncredited) | |
| Brendan Donnison | …. | adr voice casting (uncredited) | |
| Stéphane Foenkinos | …. | casting: France (uncredited) | |
Editorial Department |
|||
| Niklas Aldergren | …. | digital intermediate systems administrator | |
| Nigel Bunyan | …. | assistant editor | |
| Ian Cunningham | …. | assistant editor | |
| Jo Dale | …. | assistant editor | |
| Maxine Gervais | …. | lead colorist | |
| Tom Kemplen | …. | assistant editor | |
| Ben Renton | …. | assistant editor | |
| Katie Reynolds | …. | post-production coordinator | |
| Dan Roberts | …. | additional editor | |
| Dan Roberts | …. | first assistant editor | |
| Mark Sale | …. | assistant editor | |
| Holly Thornton | …. | assistant post-production coordinator | |
| Jane Winkles | …. | assistant editor | |
| Bill Daly | …. | post-production executive (uncredited) | |
| Peter Doyle | …. | supervising digital colorist (uncredited) | |
| John Ensby | …. | color timer (uncredited) | |
| Eoin McGuirk | …. | assistant editor: Technicolor (uncredited) | |
Music Department |
|||
| Lawrence Ashmore | …. | orchestrator | |
| John Bell | …. | orchestrator | |
| Matt Biffa | …. | music supervisor | |
| Abigail Doyle | …. | vocal tutor | |
| Patrick Doyle | …. | orchestrator | |
| Lucy Evans | …. | assistant music supervisor | |
| Vic Fraser | …. | music copying | |
| Vic Fraser | …. | music librarian | |
| Brian Gascoigne | …. | musician: keyboards and synthesizer | |
| Gerard McCann | …. | music editor | |
| Mae McKenna | …. | vocal tutor | |
| Robin Quinn | …. | music editor (as Robin Whittaker) | |
| Maggie Rodford | …. | music supervisor | |
| Maggie Rodford | …. | score producer | |
| James Shearman | …. | conductor | |
| James Shearman | …. | orchestrator | |
| Graham Sutton | …. | supervising music editor | |
| Nick Wollage | …. | music recordist | |
| Youki Yamamoto | …. | keyboard programmer | |
| Youki Yamamoto | …. | synthesizer programmer | |
| Chris Barrett | …. | assistant music engineer (uncredited) | |
| Olga FitzRoy | …. | assistant music engineer (uncredited) | |
| Robert Houston | …. | assistant scoring engineer (uncredited) | |
| Christian Howes | …. | music assistant (uncredited) | |
| James McWilliam | …. | additional orchestrator (uncredited) | |
| Lewis Morison | …. | assistant to composer (uncredited) | |
| John Williams | …. | composer: theme “Harry Potter” (uncredited) | |
Transportation Department |
|||
| Jim Adams | …. | unit driver | |
| Oliver Best | …. | unit driver | |
| Nigel Birtchnell | …. | unit driver | |
| Jimmy Carruthers | …. | unit driver | |
| Derrick Clark | …. | driver: costume (as Derek Clark) | |
| Eddie Coleman | …. | transportation co-captain | |
| Warren Deluce | …. | unit driver | |
| Mick Downs | …. | unit driver (as Mick Downes) | |
| Brian Estabrook | …. | transportation captain | |
| Peter Harvey | …. | unit driver | |
| Mark Hill | …. | unit driver | |
| John Hollywood | …. | unit driver | |
| Frank Hughes | …. | driver: makeup truck, second unit | |
| Peter Hunt | …. | driver: props | |
| Jim Magill | …. | unit driver | |
| Jason Mortlock | …. | unit driver | |
| Bruce Neighbour | …. | unit driver | |
| David Norman | …. | unit driver | |
| David Rosenbaum | …. | transportation coordinator (as Dave Rosenbaum) | |
| Colin Sheffield | …. | unit driver | |
| Mike Smith | …. | unit driver | |
| Chris Streeter | …. | transportation: second unit | |
| Bill Walker | …. | unit driver | |
| Alan Watts | …. | unit driver | |
| Kitch Young | …. | unit driver | |
Other crew |
|||
| Nguyen Ngoc Anh | …. | dance assistant | |
| Libbie Barr | …. | script supervisor | |
| Jayne Barton | …. | assistant accountant | |
| Jim Bentley | …. | diver: second unit | |
| Vicky Bishop | …. | assistant production coordinator | |
| Ben Blanco | …. | production assistant: second unit | |
| Anthony Bloom | …. | animal trainer | |
| Cate Brackpool | …. | dance assistant | |
| Dave Brown | …. | pilot: second unit | |
| Phillipa Bullock | …. | production assistant: second unit | |
| Amanda Burns | …. | production assistant | |
| Ken Burry | …. | security: second unit | |
| Daniel Burton | …. | unit nurse: second unit | |
| Felicity Burton | …. | production assistant | |
| Adam Byles | …. | production runner: second unit | |
| Amy Byrne | …. | production assistant | |
| Rebecca Cain | …. | production assistant | |
| Leah Chalk | …. | safety advisor | |
| Mark Clark | …. | surface best boy: second unit | |
| Nicky Coats | …. | assistant accountant | |
| David Collier | …. | production assistant (as Dave Collier) | |
| Clare Collingridge | …. | production assistant | |
| Jon Croker | …. | assistant: Mr. Newell | |
| Claire Cunningham | …. | dance assistant | |
| Jason Curtis | …. | safety advisor | |
| Sean Dabbs | …. | production assistant | |
| Niki Dally | …. | unit publicist | |
| Daniel Dark | …. | production administrator (as Dan Dark) | |
| Aled Davies | …. | diver: second unit | |
| Vanessa Davies | …. | key unit publicist | |
| Tony Davis | …. | assistant production coordinator | |
| Emily Dawson | …. | chaperone | |
| Louise Day | …. | production assistant | |
| Stanley A. Dellimore | …. | senior technical imaging artist (IMAX DMR version) | |
| Robin Demetriou | …. | catering manager | |
| Tony Denham | …. | location security | |
| Laila Diallo | …. | dance assistant | |
| Stephen Dibben | …. | production assistant: second unit | |
| Guy Drayton | …. | lead diver: second unit | |
| Shelly Drury | …. | assistant: Mr. Heyman | |
| Paula Eden | …. | production assistant | |
| Jake Edmonds | …. | safety coordinator | |
| Martin Enckell | …. | diver: second unit | |
| Sue Enoch | …. | department of education | |
| John Ensby | …. | laboratory timer | |
| Reshad Esmail | …. | set security | |
| Ceri Evans | …. | script supervisor: second unit (as Ceri Evans Cooper) | |
| Karen Fayerty | …. | unit nurse | |
| Sophie Finch | …. | set production assistant: dailies | |
| Jasmine Fitter | …. | assistant choreographer | |
| Jayne Flowers | …. | production assistant | |
| Grant Fowler | …. | production assistant | |
| Sandra Frieze | …. | dialogue coach | |
| Nicola Frost | …. | production assistant | |
| Dr. Ian Furbank | …. | unit doctor | |
| Mark Gallagher | …. | production assistant | |
| Kate Garbett | …. | production coordinator: second unit | |
| Georgie Gardner | …. | production assistant | |
| Mark Gent | …. | production administrator | |
| Gary Gero | …. | animals supervisor | |
| Ben Goode | …. | production assistant: second unit | |
| Gisella Goodwin | …. | department of education | |
| Natasha Gormley | …. | production coordinator: second unit | |
| Guillaume Grange | …. | assistant trainer | |
| Claire Green | …. | production assistant | |
| Oliver Greetham | …. | production administrator | |
| Gill Griggs | …. | sports massage therapist | |
| Nigel Grint | …. | chaperone | |
| Anna Hall | …. | producer coordinator | |
| Khamlane Halsackda | …. | dance assistant | |
| Kenaston Hardy | …. | department of education | |
| Michael Harm | …. | unit location manager | |
| Steve Harvey | …. | unit location manager | |
| Robin Higgs | …. | unit location manager: second unit | |
| James Hobson | …. | production assistant | |
| Jacky Holding | …. | assistant accountant | |
| Sarah Hood | …. | set assistant | |
| Ian Hoskin | …. | head of crowd tuition | |
| Odette Hughes | …. | assistant choreographer | |
| Steve Irvine | …. | diver: second unit | |
| Joseph Jayawardena | …. | unit location manager | |
| Bob Johnson | …. | underwater spark | |
| Frankie Johnson | …. | production assistant | |
| Geraint Jones | …. | assistant accountant | |
| Eloise Kay | …. | unit publicist | |
| Sean Kelly | …. | production assistant | |
| Simon David Kenny | …. | production assistant | |
| Nichola Kerr | …. | assistant accountant | |
| Alex Klien | …. | production studio coordinator | |
| Grace Lan | …. | technical operations supervisor | |
| Leo Lerus | …. | dance assistant | |
| Sara Levy | …. | set assistant | |
| Matthew Luscombe | …. | stills assistant | |
| Andy Madden | …. | set assistant | |
| Vince Madden | …. | floor best boy: second unit | |
| Jenny Mark | …. | department of education | |
| Zoe Marsden | …. | production assistant | |
| Peter McClue | …. | diving supervisor: second unit | |
| Donna McCormick-Smith | …. | assistant trainer | |
| Wayne McGregor | …. | choreographer | |
| Alastair McNeil | …. | assistant accountant | |
| Sonny Merchant | …. | production assistant | |
| Richard Merrill | …. | floor chargehand (as Richard Merrell) | |
| Ali Morris | …. | licence coordinator | |
| Simon Neville | …. | animal trainer: owl | |
| Jes Nicholls | …. | lead diver: second unit (as Jes Nichols) | |
| Bertil Nilsson | …. | set assistant (as Bertil Nilson) | |
| Gary Nixon | …. | production accountant | |
| Dr. Francis Nolan | …. | parseltongue | |
| Jae-sung Oh | …. | set production assistant | |
| Ingrid Parkes | …. | production assistant | |
| Matthew Patching | …. | assistant trainer | |
| Dilip Patel | …. | assistant accountant | |
| David Pinkus | …. | set assistant | |
| Mary Price | …. | unit nurse | |
| Lesley Quinn | …. | unit nurse | |
| Sue Quinn | …. | location manager | |
| Rebecca Rae | …. | stunt secretary | |
| Jane Ralley | …. | department of education | |
| Bill Ratty | …. | leading firefighter | |
| Adrian Rigby | …. | production assistant | |
| Megan Roberts | …. | production assistant: second unit | |
| Amy Robertson | …. | unit publicist | |
| Patrick Roddam | …. | set assistant | |
| Yolanda Rodowicz | …. | production assistant | |
| Jay Rosenwink | …. | assistant accountant | |
| Angela Rowden | …. | assistant accountant | |
| Pete Rutledge | …. | diver: second unit | |
| Jane Ryan | …. | set production assistant: second unit | |
| Sam Sale | …. | production assistant: second unit | |
| Paula Sargeant | …. | assistant accountant | |
| Alex Sayer | …. | unit publicist | |
| Steven Scrace | …. | leading firefighter | |
| Dave Shaw | …. | diving coordinator: second unit | |
| Richard B. Shean | …. | production assistant (as Richard Sheen) | |
| Matt Simpson | …. | production assistant | |
| Adam Slatter | …. | department of education | |
| Sarah Louise Smith | …. | production assistant (as Sarah L. Smith) | |
| Mark Somner | …. | unit location manager | |
| David Sousa | …. | head animal trainer (as Dave Sousa) | |
| Matthias Sperling | …. | dance assistant | |
| Hilary Stainsby | …. | dance assistant | |
| Andy Surry | …. | assistant: Mr. Barron (as Andrew T. Surry) | |
| Linda Taylor | …. | assistant accountant | |
| Anna Tennant | …. | animal maintenance | |
| Aurelia Thomas | …. | assistant location manager | |
| Julie Tottman | …. | head animal trainer | |
| Joshua Tuersley | …. | diver: second unit | |
| Taylor Tulip-Close | …. | production assistant (as Taylor Tulip Close) | |
| Gary Turnbull | …. | diver: second unit | |
| John Twigg | …. | department of education | |
| John Udall | …. | assistant accountant | |
| Sue Unsworth | …. | department of education | |
| Louise Van Hamme | …. | assistant accountant | |
| Antoine Vereecken | …. | dance assistant | |
| Poppy Watson | …. | production assistant | |
| Amanda Weaver | …. | dance assistant | |
| Jenny Weight | …. | production assistant | |
| Natasha Westlake | …. | production assistant | |
| Janet Willis | …. | head of education | |
| Winnie Wishart | …. | production coordinator | |
| Marc Wolff | …. | aerial coordinator: second unit | |
| Carmelina Wright | …. | department of education | |
| Peter Wright | …. | department of education | |
| Holly Bates | …. | accounts trainee (uncredited) | |
| Karen Betteridge | …. | location assistant (uncredited) | |
| Matt Betteridge | …. | location assistant (uncredited) | |
| Morne Botes | …. | double (uncredited) | |
| Tom Browne | …. | daily runner: second unit (uncredited) | |
| Ian Creed | …. | marine safety (uncredited) | |
| Lara Davis | …. | production assistant (uncredited) | |
| David Decio | …. | stand-in: Rupert Grint (uncredited) | |
| Enfys Dickinson | …. | manager (uncredited) | |
| Abigail Doyle | …. | personal assistant: Patrick Doyle (uncredited) | |
| Abigail Doyle | …. | production assistant (uncredited) | |
| Jennifer Evans | …. | animal administrator (uncredited) | |
| Gordon Gram | …. | double: Durmstrang Student (uncredited) | |
| Daniel Grant | …. | production assistant (uncredited) | |
| Chris Hopkins | …. | audio/video systems engineer (uncredited) | |
| David House | …. | double: Roger Davies (uncredited) | |
| Simeon Jones | …. | production assistant (uncredited) | |
| Lynne Kemp | …. | production assistant (uncredited) | |
| Allin Kempthorne | …. | stand-in (uncredited) | |
| Rebecca Kibble | …. | set production assistant (uncredited) | |
| Perry M. Kimura | …. | scanning and recording: EFilm (uncredited) | |
| Angela R. Knight | …. | double: Miranda Richardson and Rita Skeeter (uncredited) | |
| Angela R. Knight | …. | stand-in: Miranda Richardson (uncredited) | |
| Gareth Lewis | …. | additional set assistant (uncredited) | |
| Sandrine Loisy | …. | set production assistant: dailies (uncredited) | |
| Sandrine Loisy | …. | stand-in: Emma Watson (uncredited) | |
| Kelly Messias | …. | assistant: Ralph Fiennes (uncredited) | |
| Laura Miles | …. | script supervisor daily (uncredited) | |
| Sharon Milton | …. | crowd tutor (uncredited) | |
| Andrea Payne | …. | runner: model unit (uncredited) | |
| Charlie Reed | …. | additional floor runner (uncredited) | |
| Peter Rnic | …. | stand-in: Alastor ‘MadEye’ Moody (uncredited) | |
| Christian Simpson | …. | stand-in: “Weasley Twins” (uncredited) | |
| Chantelle Stoffel | …. | daily floor runner (uncredited) | |
| Ed Symon | …. | production assistant (uncredited) | |
| Lucy Thomas | …. | production assistant (uncredited) | |
| David Wilcock | …. | accounts trainee (uncredited) | |
| Dr Richard Wild | …. | weather consultant (uncredited) | |
Thanks |
||
| Ann Koska | …. | thanks: Sally King Ltd. |
| Mary Selway | …. | dedicatee: 1936-2004 |


